When most people think of Patek Philippe, they think of the evergreen models that roll off the lips of enthusiasts all over the world: Nautilus, Gondolo, Calatrava and, perhaps even, that delectable worldtimer that appeared in 2013’s new Patek Philippe offerings as Reference 5130. But one of the many elements that I personally adore about Patek Philippe is its love of the handcrafted arts and the perpetuation of them in highly aesthetic ways.
About Elizabeth Doerr
I am the editor-in-chief and co-founder of Quill & Pad. Specialized in horological publishing since my first Basel Fair in 1991, I have contributed to magazines, newspapers and websites too numerous to recount here.
My primary focus remains on the technical side of high watchmaking where progress meets tradition, but I often also profile the colorful personalities and historical elements that make up this surprisingly diverse and compelling world of ticks and tocks.
Entries by Elizabeth Doerr
The year 2013 was a stellar moment for the rare grand complication, as the SIHH quickly demonstrated. Not only did A. Lange & Söhne present its oeuvre, but to celebrate the twentieth anniversary of the sporty, contemporary Royal Oak Offshore, Audemars Piguet also introduced one of these complex masterpieces.
This automatic timepiece includes three of the traditional complications that a watch earning the right to this title should include: minute repeater, perpetual calendar, and (split-seconds) chronograph. The latter, in fact, has most unusually been included as a rattrapante in all of the brand’s grand complications since 1882. Though throughout its long history Audemars Piguet has focused on the traditional side of horology; the advent of the evergreen Royal Oak – the first luxury sports watch – in 1972 added a distinctly sporty side to this manufacture’s classic offerings.
It seemed like one of the best-kept secrets of Baselworld 2013. Perhaps the newness of the refurbished fair itself overshadowed the news of Ulysse Nardin’s five new in-house calibers; perhaps it was simply the overwhelming novelty of the Stranger timepiece that stole the show. Either way, this brand continued its quiet climb into the circle of major players with a whopping 11 new watches at the world’s largest watch fair, about half of which boast in-house movements outfitted with the brand’s pioneering silicon escapement technology.
Traditionally, the right to be called a grand complication is reserved for timepieces containing at least three of horology’s most difficult complications: a chronograph or split-seconds chronograph; an astronomical complication such as a perpetual calendar; and a striking complication, e.g repeater or sonnerie. Naturally, these rules are unwritten and therefore subject to interpretation.
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Before we get inextricably drawn into the horological maelstrom of 2014, let’s take a few minutes to reflect on a few highlights of the year that was.
As the first big watch show of the year, the SIHH usually sets the mood for the following 12 months, and 2013 was no exception. Though bereft of Girard-Perregaux and partner brand JeanRichard, which were bought by the Kering group and thus exhibited later at Baselworld, it was an excellent show with a great number of interesting new releases