The first weekend of November 2016 was a big one for me: in addition to attending the Grand Prix d’Horlogerie de Genève, I collected not one, not two, but three spectacular watches. The watch I left home certain to bring back was one that I had been waiting patiently for since January 2016: the split-seconds chronograph Reference 5370P from Patek Philippe. Here’s why I bought it.
I am the resident “collector” for Quill & Pad. My enduring love affair with good watchmaking began in my formative years and has accompanied me throughout my adult life. In the fortunate position to be able to acquire luxury timepieces as an adult, I am choosy in terms of quality and meaning and do not follow the mainstream art of collecting as it is primarily understood today.
I have been an active contributor to online horological fora for about a decade as I have also become very interested in learning the art of macro photography and even take lessons with wizard photographer Ming Thein. I joined Quill & Pad as the concept of talking about what interests the contributors (and therefore the readers) rather than the act of being an amplifier for industry press releases appeals to me greatly.
Entries by GaryG
When the hammer came down at the Phillips auction late 2016 and I had become the new owner of a A. Lange & Söhne Pour Le Mérite Tourbillon, the feeling was one of complete joy, representing the culmination of a multi-year chase. What makes this particular watch so special in so many ways?
Anyone who visits online watch forums with any frequency very likely comes across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, enthusiasts. What is it and why are opinions divided?
SIHH week 2017 is off to a great start for our small group of California collectors. The highlight of our first day was our now-traditional Saturday night dinner with independent watchmaking legend Kari Voutilianen. Each year, Kari meets with us to share and explain the watches that he will be introducing at SIHH. And here they are.
This is the second year in a row that I’ve had the opportunity to attend the November watch auctions in Geneva. On last year’s trip, a good friend and I had the pleasure of participating in several events organized by Patek Philippe as well as the biennial OnlyWatch auction. This year, we returned for the previews and salesroom action at major houses including Phillips, Christie’s, and Sotheby’s.
On October 3, 2016, Patek Philippe launched two hotly anticipated limited-edition watches in commemoration of the fortieth anniversary of its Nautilus line. Reaction from the watch community was immediate – and scathing. Yet barely a few weeks later, opinions were much more positive. What happened and what changed?
Over the past few weeks, I’ve had the pleasure to write here about two truly splendid minute repeaters, both property of a good friend: Patek Philippe Reference 5074P and Reference 5078P. They both look great, but I’m guessing that if you’ve been following this series you’re most interested in how they sound. Well, here’s your chance. Welcome to the great Patek Philippe chime-off!
I hope you’ll find this commentary on a collector’s mindset and the motivations, delights, and possible misgivings behind why I bought a Vianney Halter Deep Space Tourbillon interesting and helpful.
Recently, a good friend and avid collector gave me the mouth-watering opportunity to photograph two splendid Patek Philippe minute repeaters: the 5074P and 5078P. If you’re one of those people who believe in wearing a watch with your tuxedo, I don’t think you’d ever go wrong in pulling the 5078P out of the safe to wear. What else is interesting about it?
Here begins a very special three-part series looking at, and listening to, two of Patek Philippe’s splendid minute repeaters: References 5074P and 5078P. If there’s any curiosity about which of the two I prefer, I’ll get that question out of the way right now: I consider the 5074P to be one of the finest contemporary wristwatches; it is a piece that awes me every time I handle one.