* Richard Mille’s team has just returned from Caribbean island St. Barth, where it was the main sponsor of regatta Les Voiles de Saint Barth for the fifth consecutive year. The regatta’s Maxi class winner, Alex Shaerer, was awarded an RM 028 Edition Voiles de Saint Barth in titanium.
One hundred seventy-five years is an enormous span of time for a watch company to be in continuous existence and consistently producing not just timepieces, but top-of-the-range timepieces. What is the secret of this quintessentially traditional company, which has managed to move with the times so gracefully, continuing to appeal to younger people just getting bit by the horology bug as much as older, settled collectors?
De gustibus non disputandum est, as they say: there is no arguing about taste! In particular, I’m not one to tell people what they can do with their belongings. If you, for instance, want to take your Ferrari, paint it pink, and put a giant Hello Kitty decal on it, that’s your privilege. That doesn’t mean that I have to like the item in question. In this instance, I am referring to the Grieb & Benzinger re-interpretation of the classic A. Lange & Söhne Pour le Mérite Tourbillon christened Blue Merit.
Quill & Pad has the extreme honor to introduce you to the Grieb & Benzinger Blue Merit, a unique collector’s item created from one of the rarest serial movements in watch history: A. Lange & Söhne’s Tourbillon Pour le Mérite.
Today I don’t want to talk about one specific watch (though the Girard-Perregaux Tri-Axial Tourbillon gets special attention). Instead I want to discuss a whole class of mechanisms that made me cross the line from watch fan to so-called “watch idiot savant” (affectionately abbreviated as WIS): the multi-axis tourbillon.
Continuing our series on tourbillons from Baselworld 2014, here are a few from Breguet, Chopard, Ulysse Nardin, Grönefeld and Kari Voutilainen.
This week we present a video-rich roundup of the recent news so pour yourself a large glass, get yourself comfortable, scroll down and enjoy.
The week’s review includes: Urwerk’s new UR-105M, both Vacheron Constantin and IWC supporting film and the arts at the Tribeca Film Festival, Girard-Perregaux’s new blue Sea Hawk, Jaeger-LeCoultre honoring Charlie Chaplin, a quick look at the best on the net, plus a few well-known horological figures giving their Baselworld Top-5 for The Watches TV.
This month, Martin Braun will celebrate half a century on this planet. Though he did not expressly say he created the Tourbillon Astronomique for any particular reason, I almost suspect he was giving himself a huge birthday gift to celebrate this life milestone.
Wild watches get ever wilder and ever more numerous and like any addict, we need more and more just to reach the same horological high. One of the first avant garde brands that started us all on this exhilarating ride isn’t really playing the same game at all: Urwerk. In an era when new models appear to be designed as much, if not more, for shock-and-awe as they are for time keeping, the UR-105M paradoxically looks both cutting-edge-modern and reassuringly familiar.
“Art”, what is it? If we allow that horology at its finest can indeed be art, then I have no problem accepting Romain Gauthier’s Logical one as art. While beauty may be in the eye of the beholder (and mine sees beauty in Logical one), there is no denying Romain Gauthier’s fertile imagination in reinventing the chain and fusee, eliminating the ubiquitous winding crown, improving the mainspring barrel and adding a few diamonds!