The jump hour has a long history, but first things first, it can’t technically be called a complication since the accepted definition of complication is a mechanism that provides information other than the time. However, anyone who gives a hoot will say in the same breath that there are many complications that don’t fit that definition. And I couldn’t agree more.
It’s no surprise that it took Richard Mille many years to find a suitable location for a flagship London boutique: the brand was not looking for the right space in London, it was looking in the right space in Mayfair.
And in 90 Mount Street, Mayfair, London, Richard Mille found it.
Like many (though certainly not all) of the luxury brands in the area, the Richard Mille boutique is relatively unassuming from the outside. However, two large, frosted images of Richard Mille’s instantly-recognizable, tonneau-shaped case on the front windows provide a fairly substantial clue for those familiar with the brand.
I recently had the superb opportunity to try out the most complicated wristwatch made at modern-day Rolex for a week: the Sky-Dweller. The Sky-Dweller hides its complexity in the simplicity of using it: despite being complicated, the Sky-Dweller is an extremely practical timepiece that takes the businesslike philosophy that Rolex habitually utilizes to new “heights” by adding an interface like a function selector for setting and adjusting the time zones and annual calendar.
The fact is that Urwerk is a small brand, albeit an extremely imaginative and talented small brand, with very limited resources available. That means that if Urwerk wants to use resources to develop and produce a new model, it first has to stop producing one of the older models. So unfortunately it’s soon to be bye-bye to the UR-110. But fortunately it’s hello to the final UR-110 model: the “Eastwood”!
The HYT H1 and H2 have changed the landscape of what many thought possible in mechanical watches, and they may have even inspired other talented watchmakers to think outside the box in mixing unusual things with the old-school mechanics inside their timepieces. A lot of this is due to the incredible quality with which it was done, and the other is the sheer engineering that went into the concept.
SalonQP isn’t simply a watch exhibition: it’s a watch exhibition inside an art gallery (the Saatchi Gallery), a setting that both the defines and enriches the brands and watches on display. And Hermès, very cleverly and very creatively, especially attracted visitors’ attention at SalonQP.
This young award is just barely three years old, but indeed it has already managed to reward some of the greatest personalities in the world of watches for their “passion” and “talent” – which are undeniably the most essential ingredients for the finest watchmaking. A jury from the Cultural Council of the Fondation de la Haute Horlogerie (FHH) honored two exceptional personalities in 2014: Philippe Dufour for his “talent” and Henry-John Belmont for his “passion.”
Earlier in 2014, Jaquet Droz announced a partnership with Lausanne’s Béjart Ballet. A ballet dancer perfectly masters the movements of his or her body, which makes for perfect allegory to Pierre Jaquet Droz’s lifelike mechanical androids using flow, flux, movement, and human expression through motion. Meet The Vulture and The Chief, two extraordinarily artistic Jaquet Droz timepieces paying homage to the dance.
SalonQP, London’s premier watch exhibition, ran from the 6th through the 8th of November 2014 at the prestigious Saatchi Art Gallery in central London. It was bigger and better than ever in terms of both size and visitor numbers.
Read on for more than just a few reasons (and lots of photos) why SalonQP is my favorite watch exhibition.
Once upon a time, in a small watch shop in a (relatively) small California town, there was a watch display case. This was before I really knew much at all about Vacheron Constantin as a brand and company. There was a display case. And a watch: the Vacheron Constantin Malte Squelette.