The 1815 Rattrapante Honeygold is the first timepiece by A. Lange & Söhne to contain only a single split-second chronograph function. All previous split-second chronographs by this brand have been combined with other complications and features. Joshua Munchow takes a closer look at it and finds something surprising in the movement architecture.
Those of you who share the collecting bug see where GaryG is going: the start of a journey of learning about Native American arts and the artists behind them while amassing a set of treasured items that now stretches well beyond what he would have predicted. And he ups the fun by matching up rings, buckles, cufflinks, and bolos with watches.
Fine watches and fine whisky, for many the two go together like single malt birds of a feather. Urwerk founders Felix Baumgartner and Martin Frei have been known to enjoy a smooth amber tipple or two, and as discerning gentlemen with discerning taste in haute horlogerie it’s perhaps not surprising that Baumgartner and Frei also have discerning taste when it comes to whisky: single malt by The Macallan.
Martin Green doesn’t usually like large-diameter watches, but he felt that the 44 mm Chopard Alpine Eagle XL Chrono looked (and more importantly felt) profoundly better than he expected. Martin thought it large but not overly so, and that wearing comfort was exceptional for a watch this size. See for yourself right here!
It seems only appropriate that such a fascinating champagne Grower as Ulysse Collin has an even more fascinating backstory. David heading toward toppling a sparkling Goliath. For well over 200 years, since 1812, the Collin family had worked vineyards in the region and for a century of that time also worked as coopers. The family vineyards were first lost, then recovered, and now the firm goes from strength to strength, slowly but surely building the crown as king of the Grower movement.
There’s a new double-faced superstar in town: the De Bethune DB Kind Of Two Tourbillon. Co-founder and chief watchmaker Denis Flageollet wanted to create a watch with two distinct identities, incorporating two sets of brand “DNA” on the same watch. He also wanted to use the brand’s signature, patented floating lugs to their fullest extent. Elizabeth Doerr thinks Flageollet succeeded in his goals and explains why here.
GaryG ordered a Hasselblad X1D. He had never shot with a medium-format camera before, and the resolving power, color rendering, and ability to seemingly wrap light around a subject completely blew him away. So when Hasselblad announced that it would be offering a 120 mm macro lens for the X1D, he was among the very first to sign up. But did it make a difference in his watch photography?
The idea of Last Drop is to source rare and first-class spirits, usually with considerable age. Some of these products – and in the company’s decade of operations, there have only been 13 releases – are extremely limited and seriously expensive. But is it worth it? Ken Gargett reverently sips a dram and shares the results with us here.
Watch advertisements have always fascinated John Keil. If an ad is clever, funny, or invokes a special feeling within him, he is much more likely to make a purchase. Here he demonstrates a few ads that work for him and hopefully for you too.
Can a watch by Cartier really be underwhelming? Martin Green thinks so in the case of the new Cartier Tank Cintrée 100th anniversary limited edition. A stunning watch certainly, but so close to the 1921 original that he finds it just a bit too predictable. But that’s not all that niggles him.