Why watches? Ask what makes a watch enthusiast tick and the idea of the “soul” of a watch might well feature in the response – the idea that something elevates the watch from a cold object of engineering to something of greater import. Here Ryan Schmidt tracks “soul” down and gets contemplative on its nature along with some very special imagery.
Despite the virus restrictions, GaryG has managed to venture out from time to time for brief, top-secret rendezvous in parking lots and on park benches to receive and return the generous loans of friends’ watches to photograph. Recently, he had the chance to shoot a true classic: a second-series Reference 3450J perpetual calendar made by Patek Philippe, which he shares with us here.
GaryG recently took a deep dive into the world of digital art, auctioning a few of his photos of a rare Patek Philippe Reference 2526 Gobbi Milano as an NFT (non-fungible token). Here he shares the complete mechanics and thoughts behind his futuristic experience. And he’s encouraged enough to do it again!
GaryG recently took a deep dive into the world of digital art, auctioning a few of his photos of a rare Patek Philippe Reference 2526 Gobbi Milano as an NFT (non-fungible token). Here he shares the complete mechanics and thoughts behind his futuristic experience. And he’s encouraged enough to do it again!
GaryG recently had the opportunity to borrow a Rolex GMT-Master II BLRO Meteorite from a long-time friend to photograph and wear. This watch’s main event is the dial, a thin slice of metallic meteorite whose crystalline structure reflects the slow cooling process that took place as the meteor hurtled through space. Here he tries a variety of photographic techniques to learn which works best on the dial’s unique structures. Which are your favorites?
Given GaryG’s musings on these pages about the relative roles of rarity and complication in driving the value of a watch, he thinks it appropriate to dedicate this “Behind the Lens” entry to a piece that is both complicated and limited in production: Patek Philippe’s Reference 5950A. What’s so special about this watch? Well, first of all it’s a split-seconds chronograph. What else?
One of the great pleasures GaryG has of being a contributor here at Quill & Pad is that it gives him an excuse to set aside other priorities on a regular basis and immerse himself in the world of macro watch photography. Along the way, he has been asked by a number of folks to reveal techniques that he uses to create the images you see in his articles, so here he shares some of his tips.
GaryG ordered a Hasselblad X1D. He had never shot with a medium-format camera before, and the resolving power, color rendering, and ability to seemingly wrap light around a subject completely blew him away. So when Hasselblad announced that it would be offering a 120 mm macro lens for the X1D, he was among the very first to sign up. But did it make a difference in his watch photography?
GaryG meanders through some observations on the state of the industry, 2020 occurrences, and his own year in watches, including the watches he bought in 2020 and the watches he’d like to buy. And there are also his favorite photos from this year’s shooting interspersed to keep it lively. Enjoy!
How time flies! It seems like only yesterday that GaryG penned an article about wristshots. But that was back in 2015. And in 2017 that he posted thoughts and images on how to – and how not to – take watch photographs for sharing. It seemed to Gary that it’s about time for an update on both – as while some things remain the same, much has changed.