The 2014 edition of the Concorso d’Eleganza Villa d’Este on Lake Como, Italy was exceptional, with both stunning automobiles and fantastic weather. Pour yourself a chilled glass of Chianti and enjoy the photos.
De gustibus non disputandum est, as they say: there is no arguing about taste! In particular, I’m not one to tell people what they can do with their belongings. If you, for instance, want to take your Ferrari, paint it pink, and put a giant Hello Kitty decal on it, that’s your privilege. That doesn’t mean that I have to like the item in question. In this instance, I am referring to the Grieb & Benzinger re-interpretation of the classic A. Lange & Söhne Pour le Mérite Tourbillon christened Blue Merit.
Quill & Pad has the extreme honor to introduce you to the Grieb & Benzinger Blue Merit, a unique collector’s item created from one of the rarest serial movements in watch history: A. Lange & Söhne’s Tourbillon Pour le Mérite.
My first rule when it comes to collecting is to avoid setting too many exclusionary rules.
I am sure that there are many theme-centered watch collectors who put emphasis on things such as owning one of each Omega vintage chronograph from a certain year or Elgin railroad watches of a particular decade. These people might consider what I do far too haphazard to be labeled “collecting,” for instance.
If, however, I force myself to set criteria for what constitutes collecting to me, I keep coming back to two rules for myself: passion and enjoyment.
And this is perhaps best defined by asking yourself, “Are you emotionally engaged with the items you collect, be they watches, cars, or bottle caps, and do you take advantage of all of the enjoyable aspects of owning them?”
With watches, I believe, the former criterion – passion – is what separates collectors from investors and accumulators. Which brings me to the second criterion: deriving the full enjoyment from the things you own.
This year’s SIHH is full of complicated revelations. And, even more surprisingly, we have found at least five perpetual calendars at the fair, all of which are very different in approach, design and even price.
Traditionally, the right to be called a grand complication is reserved for timepieces containing at least three of horology’s most difficult complications: a chronograph or split-seconds chronograph; an astronomical complication such as a perpetual calendar; and a striking complication, e.g repeater or sonnerie. Naturally, these rules are unwritten and therefore subject to interpretation.