250 years ago, Longitude Prize-winning clockmaker John Harrison made clocks losing just one second per month, but that wasn’t enough for him. In his later life, Harrison claimed that he could make a wall clock with a then-unheard-of-precision of just one second over 100 days! And 250 years later, it turns out he was right.
The skull is one of art history’s most referenced objects thanks to its powerful ability to instantly remind us that we are only flesh and bone. Fiona Krüger, specializing in skulls, has now partnered with L’Epée 1839 to produce Vanitas, a skull-shaped clock based on her Skull Collection with an unexpected function: it yawns as its movement tires.
Given Panerai’s origins in Florence, it should come as no surprise that the Italian watchmaker created a horological tribute to the insatiably curious father of modern science Galileo Galilei, who was once a resident of the Renaissance city. The Jupiterium is a one-of-a-kind geocentric planetarium with perpetual calendar.
Imagine a rejuvenated grandfather clock or a massive art installation coming to life with steady sounds and the rhythmic movement of a pendulum. This poetic notion is the essence of the Time Machines (“Zeitmaschinen”) created by Swiss artist and engineer Florian Schlumpf. And they are mesmerizing.
Clocks may seem old-fashioned – until you get a load of what L’Epée 1839 is capable of. And as a watch enthusiast, you have probably also already seen a few of this company’s clock co-productions with MB&F’s wild robots and other personality-laden timepieces. L’Epée 1839 has a surprising history as a supplier of escapements, too, as The Watches TV’s Marc-André Deschoux found out. Sit back and watch!
I absolutely love negative space. And now MB&F has now created a piece where the viewer’s imagination plays as important a role as the largely empty physical structure. That creation is Destination Moon, a rocket-shaped clock made in collaboration with L’Epée 1839.
Ronnie Wood, a celebrated painter outside the realm of his duties as guitarist for the Rolling Stones, explained that it was he who searched out a horological collaboration and very naturally came across Bremont as a British marque of note. “I Feel Like Painting” represents his second dial for Bremont’s B-1 Marine Clock.
While passing through New York City recently, I decided to duck into the historic Waldorf Astoria hotel to have a look at its famous lobby before the hotel closes for construction at the end of February 2017. And what I found was a historical clock with electrifying presence.
Konstantin Chaykin’s latest masterpiece, the Moscow Comptus Easter Clock, isn’t designed for the wrist but for the mantel, and it presents further evidence that the man I dubbed the “Wonderboy Russian Watchmaker” is one of the greatest watch and clockmakers in the game today.
The Atmos 568 is Marc Newson’s third design for Jaeger-LeCoultre’s iconic range of perpetual clocks, but this one is different. Here Joshua Munchow explains what makes it different and the predicament he’s in when it comes to choosing a favorite.