Baselworld is about connecting. Many people will say that attending Baselworld is about having a lot of meetings, taking thousands of wrist shots, and running across the halls with your arms full of press kits and chocolate boxes. While that certainly is part of the show for many, you have truly missed the point if you think that is all that Baselworld is.
Welcome to the inaugural Quill & Pad Baselworld “awards,” in which we highlight a few of the watches and goings-on that caught our eyes at the world’s largest watch exhibition. Here’s what caught our eyes at Baselworld 2014 in no particular order.
While static images are great for appreciating details, they are less effective at conveying the scale and sense of place of large exhibitions such as Baselworld. So to add another perspective to Baselworld 2014, we are please to share these interactive 360° views of Baselworld 2014.
And as much as I appreciate high-end complications, bright colors catch my eye just as much as the next person and here is a small selection of colorful timepieces from Baselworld 2014.
It is impossible to describe or exaggerate the sheer scale of Baselworld. Most of the halls are not only enormous, but contain even more brands, stands and booths you might think possible. There’s always something else around the corner, up the stairs or behind the door.
Patek Philippe’s booth at Baselworld made for big news at both the 2013 and 2014 fairs: last year for not having been upgraded, and this year for being the only brand in Hall 1.0 to debut a brand-new, chic structure designed by a big-name architect.
This coming Monday will be the start of the 2015 edition of the SIHH (Salon International de la Haute Horlogerie) in Geneva, although our coverage will begin on the weekend with a few of the independent brands. To get you in the SIHH mood, here’s another look at our recap of last year’s exhibition.
Did you ever wonder what it sounds like when journalists get together among themselves and chat about impressions from a week-long watch fair? If so, wonder no more because here we’re providing you with the opportunity to listen in on some private conversations between well-known tastemakers of both the print and online worlds right here at Quill & Pad.
Welcome to our post-SIHH 2014 discussion in which we bring you some of the best and most educated opinions in our industry on the fair, the mood and the watches we saw right here!
Take a 360° tour of the 2014 SIHH! As the first big watch exhibition of the year, the annual SIHH (Salon International de la Haute Horlogerie) in Geneva attracts plenty of interest. However, as a very restricted, invitation-only trade show, it is difficult for the watch-loving public to get an idea of what the SIHH really looks like.
This year’s SIHH is full of complicated revelations. And, even more surprisingly, we have found at least five perpetual calendars at the fair, all of which are very different in approach, design and even price.
The year 2013 was a stellar moment for the rare grand complication, as the SIHH quickly demonstrated. Not only did A. Lange & Söhne present its oeuvre, but to celebrate the twentieth anniversary of the sporty, contemporary Royal Oak Offshore, Audemars Piguet also introduced one of these complex masterpieces.
This automatic timepiece includes three of the traditional complications that a watch earning the right to this title should include: minute repeater, perpetual calendar, and (split-seconds) chronograph. The latter, in fact, has most unusually been included as a rattrapante in all of the brand’s grand complications since 1882. Though throughout its long history Audemars Piguet has focused on the traditional side of horology; the advent of the evergreen Royal Oak – the first luxury sports watch – in 1972 added a distinctly sporty side to this manufacture’s classic offerings.