In a recent article about the Glashütte Original PanoMaticInverse, author Joshua Munchow introduced the PanoMaticInverse’s distinctive three-quarter movement plate with a poem. We thought it was quite a good poem, and we think it deserves its own post. Why the three-quarter plate? In simple terms, three-quarter and full movement plates are the only way to absolutely know that everything is held perfectly in place with no possible chance of shifting or alignment issues.
The immaculately finished Glashütte Original PanoMaticInverse is a poetic ode to the three-quarter plate typical of German watchmaking. Perfectly befitting the “made in Germany” aesthetic and demand on quality, this intriguing wristwatch’s ingenious movement contains unexpected technical elements in addition to what might well be termed a permanent state of #CasebackThursday.
I clearly remember watching the history-altering events on television on November 9, 1989: the day that the Berlin Wall came tumbling down. Since then, watchmaking in Germany, just like the country as a whole, has undergone a lot of change. The rebirth of Glashütte’s horological industry is an unparalleled story, one coming with a great number of human-condition stories that will someday need lots of telling . . . and here is the first.
While the two most well known German brands are A. Lange & Söhne and Glasütte Original, there are quite a few smaller German brands deserving our attention. Some with names you may have heard of, a few you may not have: Glasütte Original, Nomos, Lange & Heyne, Tutima, Kudoke and Leinfelder
Two brand-new chronographs debuting here at Baselworld illustrate extreme sides of the coin: De Bethune’s manually wound DB29 Maxi Chrono Tourbillon and Glashütte Original’s Senator Chronograph Panorama Date.