Calculating large numbers is a pain if all you have handy is your brain and a pencil. This is why people have created systems and objects to make the process easier. The Greubel Forsey Quantième Perpétuel à Équation has a mechanical computer that calculates the dates for the perpetual calendar and equation of time. This is a complete departure from the traditional perpetual calendar mechanism.
“What, another watch?” she almost screamed in disbelief no sooner than I had opened the front door to our little love nest. Rewind to last week. I had been looking for a Roger Smith Series 1 for some time now, and Jones, my watch dealer, happened to finally locate one. I thought that I had played it pretty safe, so I really don’t know how she could have noticed. But then what happened next changed the rest of my life.
Seems it wasn’t that long ago (in reality, it was close to a year ago) that I wrote my first “Objects of Desire” article about the watches of Robert Greubel and Stephen Forsey, finishing with: given the prices of their watches I was unlikely to be able to buy any of the ones I truly lusted after anytime soon. My observation at the time was “go big or go home.” As you will see, I’ve ended up going big and am now the proud owner of a Greubel Forsey Invention Piece 1.
Today’s watch components are produced with relatively high levels of finishing straight from the machine, so having company artisans, watchmakers, and technicians spend hours, days, weeks, and even months beveling and polishing might seem like a waste of time (and money).
In this video by The Watches TV, Stephen Forsey explains why superlative hand-finishing is such an important element in the timepieces of Greubel Forsey.
Following the Swatch Group’s takeover of Harry Winston, a continuation of the Opus series with an Opus 14 seemed in doubt to me, though at Baselworld 2015 Dr. Nayla Hayek, chair of the Swatch Group’s board of directors and CEO of Harry Winston, quietly let it be known that a Harry Winston Opus 14 is forthcoming. What better reason to take a look back at the history-making timepieces of the Opus series.
The Le Garde Temps, Naissance d’une Montre project separates true lovers of watchmaking from the chaff: there is no big brand name on the dial, celebrity ambassadors, or expensive marketing campaign. It is pure watchmaking for it’s own sake to perpetuate traditional crafts and skills. There is, right now, in this universe, a watch that features the names Greubel Forsey and Philippe Dufour on its dial.
For the past five years, I’ve had the delightful experience of traveling to Switzerland with several friends to experience SIHH week, before finishing up with a Friday night dinner at which we review our impressions of the week by answering what watch we thought was best of show at SIHH; what was the worst watch; what current-production watch that we saw at any event during the week would we buy if money were no object; and what current-production watch did we see that we would buy with our own money?
As the SIHH celebrated its 25th anniversary, other milestones were also taking place. IWC celebrates the 75th anniversary of the Portugieser, Vacheron Constantin celebrates its 260th anniversary, and A. Lange & Söhne respects the 200th anniversary of founder Ferdinand Adolph Lange with models including the amazing Zeitwerk Minute Repeater.
Greubel Forsey had an impressive SIHH 2015, which included two new variations on the GMT, one all black and one with an eye-catching red gold dial in a white gold case, and the all-new Tourbillon 24 Secondes Vision.
A tourbillon is actually a type of escapement and not a real complication. Tourbillons are not only quite complicated in themselves – some more complicated than others – they come in a very wide variety of shapes, sizes and functionality. Here are five tourbillons presented at the SIHH 2015 by Cartier, Greubel Forsey, Jaeger-LeCoultre, Parmigiani, and Roger Dubuis.