Let’s be honest: nobody needs a high-end mechanical watch. That we want one is based on the different levels of how a particular watch appeals to our emotions. And in the heat of passion, we sometimes tend to forget that, as in any normal industry, companies sometimes cease to exist for a panoply of reasons. What should you consider if you own, or would still like to own, a watch made by a now-defunct brand?
Please join our traditional Quill & Pad round table discussion on Baselworld 2017, where we discuss what we did and didn’t like at at the world’s largest annual watch exhibition.
The year 2017 wasn’t just good for both interesting and exciting new wristwatches at Baselworld: I’d go so far to rate it as a vintage year. This article started as a pure Top 5 rundown, but the sheer number of superb watches soon had us reaching for our “Special Mention” over spill. And that’s all without the really big surprises. So without further ado, welcome to our team’s top picks of Baselworld 2017.
As material science progresses, the watch industry finds itself flush with ever more ways to disrupt the conventional norms of finishing and coating surfaces, many of which have persisted in traditional watchmaking for centuries. Follow me to take a look at some of this disruption and evolution, which recently culminated in the use of Vantablack.
Dubai Watch Week just closed the sun-soaked doors of its 2016 edition during which much of the watch world enjoyed discovering new watches, interesting opinions, the culture of Dubai, the United Arab Emirates’ fastest growing city, and the immense hospitality of the Ahmed Seddiqi & Sons, who staged the incredible show.
Please enjoy these 7 outstanding new watches launched during the 2016 edition of Dubai Watch Week.
One of my absolute favorite watch brands is Manufacture Contemporaine Du Temps, otherwise known as MCT. The new Sequential S210 is a combination of both previous and new design cues, and it represents the base concept for future development. While MCT has been around since the mid-naughties, the last two or three years have been the most transformative.
The MCT Frequential One F110 shares DNA and some familiar form with its neighboring population of the Sequential One and Sequential Two, but it is an end population that is truly itself. It’s something new.
New mechanics with familiar form
Mechanically speaking, the Frequential One F110 is a very new watch. Stylistically speaking, it is clearly a co-evolved result of what has come before. Gone are the rotating prisms, the large minute hand indicating the jump hour, and the three-quarter ring that jumps to uncover the current hour. But what replaces them?
Following the Swatch Group’s takeover of Harry Winston, a continuation of the Opus series with an Opus 14 seemed in doubt to me, though at Baselworld 2015 Dr. Nayla Hayek, chair of the Swatch Group’s board of directors and CEO of Harry Winston, quietly let it be known that a Harry Winston Opus 14 is forthcoming. What better reason to take a look back at the history-making timepieces of the Opus series.
You may be familiar with the old Christmas diddy “The Twelve Days Of Christmas.” Let me sing you the final verse of this song, including what my true love gave to me on the twelfth and final day, in horological terms…
The jump hour has a long history, but first things first, it can’t technically be called a complication since the accepted definition of complication is a mechanism that provides information other than the time. However, anyone who gives a hoot will say in the same breath that there are many complications that don’t fit that definition. And I couldn’t agree more.