As the Naissance d’une Montre project will be concluded when the eleven timepieces are completed, Time Aeon, whose main objective is to perpetuate the art of handmade mechanical watchmaking, had invited three students from three different watchmaking schools to learn the handmade way of working in horology – on display at SIHH 2017. Here, Philippe Dufour talks to Marc-André Deschoux of The Watches TV to explain.
Anyone who visits online watch forums with any frequency very likely comes across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, enthusiasts. What is it and why are opinions divided?
The short documentary film ‘Time Piece’ features two of the world’s best living watchmakers, Philippe Dufour and Vianney Halter, and provides insight into what makes the watches by these masters so special.
Some meals are memorable for the food, some for the company, and some for a watch at the table. And then there are those meals that hit the ball right out of the park by getting top marks in all three. Make up any story you like to explain how a very contemporary De Bethune DB28 and a very traditional Philippe Dufour Simplicity came to be sharing a bowl of molten cheese in the Swiss Jura mountains.
I love independent watchmaking and independent watchmakers; one of my great joys as a collector is having the feeling that, in a small way, I am supporting their efforts.
So I put some thought into why independent watchmakers struggle in a business sense and how they can remain relevant in changing market situations.
As regular readers know, the idea of the Behind the Lens series is to present great watches as seen from a variety of visual perspectives. Mostly, I feature watches on loan from my generous friends, but this time let’s look at a piece that I am very fortunate to have in my own collection: the legendary Simplicity by Philippe Dufour in a 37 mm white gold case with white lacquer dial.
It’s pretty interesting to us to find out what you like to read most, and we hope that it’s interesting for you to read, too – particularly at the end of the old year. For this reason, we bring you the top ten most-clicked posts of 2015 on Quill & Pad. Without further ado, here they are in no particular order.
Now, it seems fairly evident that we are on the down slope of either a cyclical correction in prices or, if one takes a less optimistic view, a permanent loss of watch value as the mechanical timepiece industry faces a variety of challenges and potential disruptions. So what’s a collector to do? And what lessons can we draw, both from recent watch auction results and the history of other luxury categories, to guide us?
It’s no secret: I’m an immense admirer of Philippe Dufour. Part of greatness, of course, is leaving a legacy; not only through one’s works, but in the skills and inspiration passed on to those who follow, which Dufour has liberally done. But who, if anyone, will history regard as the lineal heir to the Dufour tradition? I’ve reached what may seem a counterintuitive conclusion: Romain Gauthier.
I deliberately wrote the headline as “Why We Are In A Golden Age For Appreciating Superlative Hand-Finishing . . . ” because, the fact is that if many people do not appreciate superlative hand-finishing, then fewer will pay for superlative hand-finishing, so there is likely to be less superlative hand-finishing on offer. So what does any of this mean for the future of superlatively hand-finished timepieces?