Behind The Lens: McGonigle Tuscar One Of Ten

by GaryG

For those of you who are regular readers of my “Behind the Lens” series, it’s no secret that my watch pals and I are big fans of independent watchmaking.

Here at Quill & Pad we’re also fans of the independents, prominently including Irish watchmaking brothers John and Stephen McGonigle.

Recently, I had the opportunity to photograph an example of the Tuscar One of Ten owned by a good friend. Let’s take a look at some of the results.

Taking a look: front, back, and around

McGonigle Tuscar One of Ten in white gold

McGonigle Tuscar One of Ten in white gold

This particular watch is one of a series of ten “subscription” pieces made by the McGonigles and sold to patrons who paid part of the price in advance in order to provide working capital for the effort. As you can see in the image above, the One of Ten watches are characterized by their transparency. Unlike the later Banu series, whose watches feature a smoky sapphire crystal plate between 3 and 9 o’clock, these watches feature a clear sapphire sub-plate bearing the numerals and brand name.

Reverse of the McGonigle Tuscar One of Ten

Reverse of the McGonigle Tuscar One of Ten

Usually, a photo of the rear of a watch would say “movement side.” in the case of the Tuscar, that’s not really appropriate as the key movement elements here are deliciously visible from the front of the watch.

As you can see, the German silver plate and bridge on this side of the watch provide a subtle, but pleasing, visual contrast to the white gold case. The Irish-themed engraving and concentric graining catch the light and draw our eyes into a pleasant dance around the enclosed space.

Catching the light: finishing details of the McGonigle Tuscar One of Ten

Catching the light: finishing details of the McGonigle Tuscar One of Ten

In this shot, I’ve tried to showcase some of the finishing choices that make this watch so interesting to look at. Circular graining adorns many of the key elements, including the “tweezers” that hold the balance wheel, but we also see straight graining on the small bridge under the second hand and on the tips of the hour and minute hands. There is also some striking snailing on the two spring barrels.

McGonigle Tuscar One of Ten: rear view

McGonigle Tuscar One of Ten: rear view

Returning to the rear, we can see some of the attractive finishing details of the Tuscar a little more clearly, including the brilliantly polished countersinks for the jewels, the well-finished screws, and the crisp, deep engraving that includes the special “One of Ten” designation.

Crown detail on the McGonigle Tuscar One of Ten

Crown detail on the McGonigle Tuscar One of Ten

Other parts of the watch have lovely detailing as well, including the wonderfully-shaped crown with its notches and grooves representing characters from the medieval Ogham alphabet and the deep-cut McGonigle logo on the buckle.

Buckle detail on the McGonigle Tuscar One of Ten

Buckle detail on the McGonigle Tuscar One of Ten

Before moving on, let’s zoom in for a moment and appreciate the finishing quality of the Tuscar, including the precise beveling we see on the edges of the plates and bridges and the well-shaped and beautifully blued hands.

Movement detail of the McGonigle Tuscar One of Ten

Movement detail of the McGonigle Tuscar One of Ten

Shooting the Tuscar

As an amateur photographer, the great majority of my learning process so far has been directed toward the effective use of light. What I’ve learned is that properly directed light can be your best friend when you want to highlight certain features of a watch or create a certain mood. At the same time, watches and lighting can at times be a diabolical combination as unwanted reflections abound and a seeming inability to throw light where you want it is, for me at least, a frequent affliction.

If you are interested in this topic, feel free to scroll back up and take a look at the images shown so far in this article; in each case, the placement and intensity of the lighting was intended to do something specific, from throwing shadows to illuminating certain features to allowing the viewer to see what the actual watch looks like under natural lighting conditions.

As an example of the importance of light, here are two shots of the front of the Tuscar, nearly identical except for the lighting employed.

McGonigle Tuscar One of Ten: a literal view

McGonigle Tuscar One of Ten: a literal view

McGonigle Tuscar One of Ten: deep contrast highlighting the logo

McGonigle Tuscar One of Ten: deep contrast highlighting the logo

The first image is quite literal: if you took a Tuscar and held it under a neutral light source, this is pretty much what you’d see. The second shot is quite obviously intended to create a different effect though the use of contrast. It also highlights the McGonigle logo on the face and the blue hands.

Here’s another shot of the reverse, this time lighted to draw our attention to the “Tuscar” name and to provide some dimensionality to what, under flattering lighting, can appear to be a much simpler landscape than it actually is.

McGonigle Tuscar One of Ten: making the model clear

McGonigle Tuscar One of Ten: making the model clear

The Tuscar One of Ten is an interesting watch to photograph, but also quite challenging in the sense that it’s not that easy to make the McGonigle logo legible, and all too easy to get the wrong incident angle of light resulting either in a “blah” look or hot spots of reflected light. One way of getting around these problems, and of having some fun to boot, is to try different angles and watch positions.

Low angle view of the McGonigle Tuscar One of Ten

Low angle view of the McGonigle Tuscar One of Ten

Revealing the depth of the Tuscar One of Ten movement architecture

Revealing the depth of the Tuscar One of Ten movement architecture

McGonigle Tuscar One of Ten

McGonigle Tuscar One of Ten

To me, one of the neatest things about the Tuscar is that each new angle of view reveals additional, thoughtful details. In the image immediately above, for instance, the thickness of the tweezer-shaped balance cock and the clever two-diameter half-dial displaying the seconds are evident – as are the large polished sinks for the spring barrel jewels.

Parting shots

Well, as usual all good things, including loans of watches from one’s friends, must eventually end. After a few last shots, I bundled the Tuscar back up and returned it to my pal. Now I’m trying to figure out which beautiful piece to beg for next!

Parting shot of the rear: Tuscar One of Ten

Parting shot of the rear: Tuscar One of Ten

Until next time: McGonigle Tuscar One of Ten in white gold

Until next time: McGonigle Tuscar One of Ten in white gold

For more on the McGonigle Tuscar and the true meaning of independence in watchmaking as personified by the McGonigles, see Interconnectivity And Independence: The McGonigle Tuscar and www.mcgonigle.ie/tuscar.

Quick Facts
Case: 43 mm, 18-karat white gold
Movement: manual winding Caliber McG01
Functions: hours, minutes, two-sided subdial for seconds
Price: 52,800 Swiss francs

9 replies
  1. Christian Bissener
    Christian Bissener says:

    Great article and photos about a great timepiece Gary! Your friend is for sure very proud about being one of ten honoured owners of this great piece?

    Not only that this is a superb watch, but as well the fact that John and Stephen are such great people makes it even more special. That’s something I like so much about these super rare and small independent brands, you can go there, talk to the person himself who craft these outstanding timepieces and you find out that they (I’d say that in this case the “they” can stand for all the independents) are great personalities with both feet on the ground. I am looking forward for their next creation and for sure as well for your next article Gary!

    Kind regards.
    Christian

    Reply
    • GaryG
      GaryG says:

      Christian —

      As always, many thanks for your kind and insightful remarks! You can be sure that my friend is very happy to be “one of ten” — and as he has also been a subscriber to other watches from the independents he is a wonderful patron to the art of independent watchmaking as well.

      As I’m fond of saying about these folks: “meet the maker, want the watch!”

      Best,

      Gary

      Reply
  2. pplater
    pplater says:

    Gary, you have outdone even yourself: it is more illuminating to look at your photos than it is to inspect the watch itself! Do not pretend, any longer, to ‘amateur’ status; that kind of self-deprecating description simply doesn’t hold up against the remarkable images you create.

    Cheers,
    pplater.

    Reply
    • GaryG
      GaryG says:

      Well, I shall be smiling all day having read your message, pplater! Especially given that you are in a splendid position to compare my photographic offerings with the actual item, I couldn’t be more pleased by your kind remarks.

      Comments such as yours continue to stoke my desire to improve, so please stay tuned for more photographic essays here!

      All the best,

      Gary

      Reply
  3. Tim Jackson
    Tim Jackson says:

    Gary,
    I would second pplater’s comments about the “amateur status” of your photography skills. These are the best images I’ve ever seen of this brilliant watch. Great job, John and Stephen must be very proud and happy to have these featured here!
    I myself, actually prefer the Banu, it’s a RG case & black (well almost) dial combo that I dearly love, to the original pictured here. However, this is still a tremendous watch.
    Keep up the great work my friend.
    Cheers,
    TIm

    Reply
    • GaryG
      GaryG says:

      Many thanks, Tim! I appreciate your remarks quite a bit, and I did in fact also receive a nice note from John McGonigle, which is of course the ultimate test of whether the photos are acceptable!

      Tough for me to choose between the One of Ten and the Banu — both great watches, beautifully made. I’m just pleased that I had the opportunity to get this one in front of the camera, and of course expect that we will see many more great things from Stephen and John.

      Best,

      Gary

      Reply

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