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Ken Gargett describes the Wynns Coonawarra Estate John Riddoch Cabernet 2018 as beautifully refined, elegant, and powerful with the structure and fruit to last and improve for another 10, 20, or 30 years. An exquisite Cabernet, one of Australia’s best, and his score reflects it. Here Ken also gives us more than ample background on Wynns, the premier producer in Coonawarra, South Australia.
We are seeing more and more releases of vintage and prestige cuvees from the great champagne producers. Latest cab off the ranks is the 2014 La Grande Année from Bollinger (and the Rosé from the same year). Ken Gargett tackles questions about it including: where does 2014 rank? Is it a justifiable release? If so, what makes it so?
If you are a watch enthusiast or know people who are, I am sure that it has not escaped your notice that watch nuts are often car nuts and vice versa. Generalities aside, I can tell you that in my specific case I have been car crazy for as long as I have been a watch fanatic.
Please join our Quill & Pad round table discussion on Baselworld 2015 as we discuss mood, trends, and timepieces we liked and didn’t like so much. The participants of this discussion are: Ian Skellern, Elizabeth Doerr, Boris Pjanic, Nancy Olson, Louis Nardin (editor-in-chief The Watches TV), and Benjamin Clymer (executive editor Hodinkee).
I have been an admirer of Panerai since the late 1990s, so getting a chance to go out to the Isle of Wight for the British Classic Week in Cowes, where Panerai is the time partner for the Classic Yachts Challenge, was a fantastic experience. I had the chance to see and photograph a number of recent Panerai releases in their natural habitat over the race weekend.
When collectors gather anywhere and talk about their collections, recent purchases, and executed or potential sales, there’s a term that comes up more often than not: “getting hurt.” Here I provide a master class in how not to get hurt in the world of watch collecting.
Artistic Crafts is a Grand Prix d’Horlogerie de Genève category for beauty; it’s as simple as that. Mastery of techniques is the only requirement, and the results are always stunning. It is also a great place to see some unique applications of skills rarely seen, allowing us to view just what artists can imagine when given such a small canvas.
When collectors gather anywhere and talk about their collections, recent purchases, and executed or potential sales, there’s a term that comes up more often than not: “getting hurt.” Here I provide a master class in how not to get hurt in the world of watch collecting.
Gold dress watches sometimes seem to be on the brink of extinction, and Martin Green was almost ready to write their obituary. However, they do still exist and here he presents us with four gold dress watches for the consideration of the discerning modern-day, yet classically inclined, gentleman.
The most interesting aspect of the Aiguille d’Or is how the winner won’t always be the most complicated, expensive, or groundbreaking. To win the Aiguille d’Or, a watch needs to be a fantastic all-around watch and have that little something extra, that ‘je ne sais quoi.’ So which watch has our panel set its sights upon? There is much discussion, of course . . .
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