A few ago, GaryG wrote about one collector’s obsession with the A. Lange & Söhne Datograph Lumen and the platinum Lange bracelet made by Wellendorff, and wanting to combine the two. The result was spectacular, and now he brings us another view of it told through his own photographs.

Joshua Munchow rediscovered the Tudor Pelagos, specifically the Pelagos FXD, a very practical and attractive watch. And it has caused him to reevaluate his position on Tudor and thinks that this one would look pretty darn good on his wrist.

When the dust settled on the 2016 Phillips Start-Stop-Reset auction of stainless steel chronographs in Geneva, an extremely rare Rolex Oyster Zerograph Monopusher Flyback Chronograph stood out from the very strong field.

The last two decades have witnessed regular Rolex engineering advances, often in plain sight and in rapid succession. Despite these developments, Rolex remains a brand defined not by movements but by continuity, model families, and the Rolex image itself. Tim Mosso thinks that the root of Rolex’s soft-pedaled reputation for movement virtuosity lies in the company’s own branding strategy. That and more in this third installment of Rolex's history of movement technology.

If you want to love Rolex, but you love mechanical movements more than you love watch brands themselves, rejoice: Tim Mosso thinks that we are living in the halcyon days of Rolex movement innovation and shares a few well-illustrated technical and movement highlights right here.