Trends rule a larger part of our lives than many of us wish to admit. Sometimes we follow trends consciously, but often we are subconsciously influenced in the choices we make. All brands perform a delicate tightrope walk, but they differ in how successful they are. Let’s take a look at how trends affect or don’t affect now-iconic timepieces.
These are tough times. People around the world are fighting for their lives against the novel coronavirus, and far too many have already lost the battle. However, as GaryG explains, as with many other challenges in life, there is one sure-fire solution to lift the spirits: watches!
The retrograde indication is one of Joshua Munchow’s favorite “Because We Can” (BWC) complications. Gears are an amazing invention and have allowed watchmakers to make incredible creations. Simple gear systems leave a multitude of openings for creativity. Look at some great retrogrades here.
Let’s be honest: nobody needs a high-end mechanical watch. That we want one is based on the different levels of how a particular watch appeals to our emotions. And in the heat of passion, we sometimes tend to forget that, as in any normal industry, companies sometimes cease to exist for a panoply of reasons. What should you consider if you own, or would still like to own, a watch made by a now-defunct brand?
Many watch enthusiasts dream of owning at least one timepiece by Omega. And maybe even a second or a third. The Swiss brand definitely ranks among the most popular watch firms. To give you an idea of the overwhelming variety in the current Omega watch world, Sabine Zwettler has put together a guideline for reference numbers.
There are some watches you fall for the moment you see them. Sometimes that initial infatuation passes and you move on to the next temporary obsession, but then there are those instances in which the more you see, talk about, and learn about a piece and its origins the more you resolve to save up to buy one. For GaryG, the Grönefeld 1941 Remontoire was one of the latter.
It would be relatively easy, and pretty interesting, for GaryG to tell you the story of his two days one summer with artist Alexa Meade and her team. And he’ll get to that, but there’s more: the flood of sensations and emotions that came from considering why time and space are so important to him and from inhabiting a work of art that melded GaryG’s vision of himself with the artist’s interpretation and self-expression. But what does any of this have to do with watches?
The date: January 13, 2012. The place: Glashütte, Germany, where one of GaryG’s best friends had arranged for the two of them to visit A. Lange & Söhne. The vision: his friend extended his arm from the sleeve of his shirt, and what Gary saw left him reeling – his first view of the Lange Datograph Perpetual in white gold. He was confident from that very moment that this was a watch for him, but pursuit of the piece took four long years.
Incoming! If there’s a happier word in the watch enthusiast’s vernacular, GaryG is not sure what it is. After several months in the queue, he recently received the happy news that his Model 17.06 Monolith from the Ming Watches team had arrived. Here he shares why he bought it and what he thinks of it after wearing for several months.
GaryG once wrote on Quill & Pad about his relationship with the world’s greatest mass luxury brand in ‘Why I’ve Never Owned a Rolex – And Why I Might Yet.’ Well, to know him is to know that if he says he “might yet” buy something it’s likely only a matter of time. So, too, with this Rolex: the GMT Master II BLNR “Batman” with black-and-blue bezel.