Creating a proper, high-end mechanical ladies watch is something even the best of brands struggle with. Some simply take a men’s watch, make it a bit smaller, add some diamonds or mother-of-pearl, and call it a day. Others create what they think women would like (but are not quite sure). Here is what MB&F has done, and rest assured it is anything but ordinary!
The components of a mechanical watch movement are little more than a series of springs and wheels held together by plates and/or bridges. No matter the configuration, complication or finish, the ensemble is secured by the humble movement screw. So it’s a pleasant surprise that several watchmakers have boldly ventured beyond the thread and the slot to reimagine the movement screw.
It will come as no surprise to anyone who has read his articles, that Joshua Munchow likes a good jump hour mechanism. Actually, he loves a good jump hour mechanism. There is just something about that instantaneous change driven entirely by mechanical means that fascinates him. And yet not all “digital” watches require the use of jump hours and minutes; some don’t even use a jump at all yet still read digitally. So today he breaks down a list of his seven (plus change) favorite “digital” watches.
Martin Green ranks the Horological Machine N°6 Sapphire Vision, which MB&F released in 2016, as one of the most memorable watches ever created. And now with the final edition of Horological Machine N°6 he asks whether MB&F saved the best for last.
Joshua Munchow thinks of the new MB&F MoonMachine 2 as the “wolf MoonMachine.” Built on the HM8 platform, it contains only the third moon phase complication in MB&F’s history. But there has never been one quite like this!
Now celebrating its twenty-fifth year, the 2018 Gaïa Awards have honored three outstanding individuals in the world of watchmaking: MB&F’s Maximilian Büsser, Reinhard Meis, and Bovet’s Paul Clementi.
The lines between form, fun, and functionality have been blurry, especially in recent years. Which is why we see more and more mechanical objects with relationships to time but perhaps not directly related. Here Martin Green explores three such objects by Jaquet Droz, Urwerk, and MB&F.
MB&F rarely introduces objets d’art so visibly rooted in horology as Kelys & Chirp: the Geneva-based independent watchmaker generally specializes in exotic and futuristic shapes. Kelys & Chirp doesn’t tell the time: it is an automaton – and most automata grew from advances made in horology in the 1600s.
This is a bit of an unusual article, but the story surreptitiously fell into my lap(top) just days before Christmas, and I thought that there is no better time of the year for publishing good news. Charris Yadigaroglou, MB&F head of communication, told me the happy ending to a scary incident earlier in the year at the MB&F M.A.D.Gallery in Geneva.
Urwerk and MB&F are two stalwarts of contemporary watchmaking with, superficially at least, much in common. Here Ian Skellern shares what he thinks are the significant similarities and differences between these two leaders in modern watchmaking.