A friend of GaryG’s recently purchased a real object of desire: a unique piece Classic from Vianney Halter that includes a date indication. When asked about his motivation in adding this to his collection, his friend told him, “I’m interested in what history will determine to be the ‘greatest’ watchmakers of our time.”
Jaeger-LeCoultre supports ‘The Supermarket Of Images,’ the latest exhibition at the Jeu de Paume arts center in Paris, which exhibits and promotes all forms of mechanical and electronic imagery. The exhibition’s central premise is that our lives are increasingly saturated with images. The impact of this is the story that this exhibition tells.
GaryG ordered a Hasselblad X1D. He had never shot a medium-format camera before, and the resolving power, color rendering, and ability to seemingly wrap light around a subject completely blew him away. So when Hasselblad announced that it would be offering a 120 mm macro lens for the X1D, he was among the very first to sign up. But did it make a difference in his watch photography?
One of the great pleasures GaryG has of being a contributor here at Quill & Pad is that it gives him an excuse to set aside other priorities on a regular basis and immerse himself in the world of macro watch photography. Along the way, he has been asked by a number of folks to reveal techniques that he uses to create the images you see in his articles, so here he shares some of his tips.
As part of his “enthusiast collector” role at Quill & Pad, GaryG takes a look at watches that strike his fancy, sharing the visual results with our readers along with a few observations on photography, the watches themselves, and the collectors who own them. In this installment of Behind The Lens, GaryG takes on the formidable F.P. Journe Tourbillon Souverain.
The buyer of this unique-piece Kari Voutilainen Masterpiece Chronograph II was inspired by the look of the F.P. Journe “Black Label” Chronomètre Souverain already in his collection. And GaryG finally gets it into his light tent, sharing not only what he thinks, but also what he sees behind his lens.
In the Behind the Lens series, GaryG presents great watches as seen from a variety of visual perspectives, while at the same time passing along a few thoughts on what it’s like to shoot these pieces. And, from time to time, a helpful technical hint or two. And great watches don’t come much better than the Philippe Dufour Simplicity.
Can you imagine buying a watch bracelet and then searching for the right watch to pair with it? Seems a bit far fetched, but that’s exactly what a good friend of GaryG’s did a few years ago. And it led to him purchasing two beautiful 1815 Chronograph models from A. Lange & Söhne.
If you like watches at all, you have certainly seen wristshots and perhaps you have even posted a few of your own. Like the selfie, wristshots seem to be ubiquitous these days. But where did wristshots come from, why do they exist, and what are the pitfalls to look out for? GaryG shares a few tips on what he has learned works and what doesn’t.
Ian doesn’t usually have time to look at his photos on a screen until well after the SIHH. And as it’s after the fair now, here are his Top 5 wristshots from SIHH 2019. Plus five more that he felt well deserving. And then one more that he just couldn’t let go.