If you like watches at all, you have certainly seen wristshots and perhaps you have even posted a few of your own. Like the selfie, wristshots seem to be ubiquitous these days. But where did wristshots come from, why do they exist, and what are the pitfalls to look out for? GaryG shares a few tips on what he has learned works and what doesn’t.
In this installment of Behind the Lens, GaryG shares a series of photographs of one of the great watches of our time, the Philippe Dufour Duality. The Duality, with its linked twin escapements, was originally planned for production in a series of 25 watches. In a turn of events that seems almost unbelievable today, a lack of initial demand eventually led Dufour to limit production to just nine pieces, one of which is owned by a good friend of Gary’s.
In GaryG’s view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless set him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order as typified by the Haldimann H1 Flying Central Tourbillon.
One of the inconveniences associated with the current restrictions on gatherings is that GaryG’s local watch gang hasn’t met in person so he hasn’t been able to borrow interesting watches to shoot. However, just prior to the lockdown in California, he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter. Check it out in every great photographic variation here.
From the torrent of really well done watch photos appearing on Instagram and other media these days, it appears as though lots of watch enthusiasts have been spending at least some of their time in COVID-19-induced shutdowns polishing their macro photography and wrist shooting. And GaryG is among them. Here he shares a few of the thousands of photos he has taken recently using a new-to-him flash style.
In the Behind the Lens series, GaryG presents great watches as seen from a variety of visual perspectives while at the same time passing along a few thoughts on what it’s like to shoot these great watches. And they don’t come much greater than the Philippe Dufour Simplicity.
A friend of GaryG’s recently purchased a real object of desire: a unique piece Classic from Vianney Halter that includes a date indication. When asked about his motivation in adding this to his collection, his friend told him, “I’m interested in what history will determine to be the ‘greatest’ watchmakers of our time.”
Jaeger-LeCoultre supports ‘The Supermarket Of Images,’ the latest exhibition at the Jeu de Paume arts center in Paris, which exhibits and promotes all forms of mechanical and electronic imagery. The exhibition’s central premise is that our lives are increasingly saturated with images. The impact of this is the story that this exhibition tells.
GaryG ordered a Hasselblad X1D. He had never shot a medium-format camera before, and the resolving power, color rendering, and ability to seemingly wrap light around a subject completely blew him away. So when Hasselblad announced that it would be offering a 120 mm macro lens for the X1D, he was among the very first to sign up. But did it make a difference in his watch photography?
One of the great pleasures GaryG has of being a contributor here at Quill & Pad is that it gives him an excuse to set aside other priorities on a regular basis and immerse himself in the world of macro watch photography. Along the way, he has been asked by a number of folks to reveal techniques that he uses to create the images you see in his articles, so here he shares some of his tips.