GaryG was delighted to take possession of an Invention Piece 1 with its inclined double tourbillon, while a good friend of his replied in kind with a purchase of the quadruple-tourbillon Invention Piece 2. Ever since, he has been dying to get these two gorgeous monsters side by side in the light tent. And the time has finally come!
In GaryG’s view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless sets him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order, as typified by the Haldimann H1 Flying Central Tourbillon.
Given GaryG’s musings on these pages about the relative roles of rarity and complication in driving the value of a watch, he thinks it appropriate to dedicate this “Behind the Lens” entry to a piece that is both complicated and limited in production: Patek Philippe’s Reference 5950A. What’s so special about this watch? Well, first of all it’s a split-seconds chronograph. What else?
A generous friend recently offered GaryG the opportunity to shoot his white gold Kari Voutilainen Masterpiece Chronograph II so that Gary is able to share photos of both his custom pink gold Chronograph II in comparison to his friend’s custom white gold version.
For this edition of Behind the Lens, GaryG shares a series of photographs of one of the great watches of our time, the Philippe Dufour Duality. The Duality, with its linked twin escapements, was originally planned for production in a series of 25 watches. In a turn of events that seems almost unbelievable today, a lack of initial demand eventually led Dufour to limit production to just nine pieces.
As part of my “enthusiast collector” role here at Quill & Pad I will be taking a look at watches that strike my fancy, and sharing the visual results with you along with a few observations on photography, the watches themselves, and the collectors who own them.
Let’s get started, shall we? Our subject for this episode: the F.P. Journe Tourbillon Souverain with remontoir d’égalité.
In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order as typified by the Haldimann H1 Flying Central Tourbillon.
In this edition of ‘Behind the Lens,’ GaryG pays tribute to the introduction of the A. Lange & Söhne Lange 1 on October 24, 1994. He brings us stunning images of two very special variants of the classic watch: the rare Cellini limited edition, of which only 25 were made for the New York City retailer, and the even rarer stainless steel Lange 1, which was not a limited edition per se, but certainly a (very) limited sort-of production watch.
It’s no secret that I’m a big fan of Vianney Halter and his work. I strongly believe that one of the defining moments of my development as a collector was taking the plunge and buying an example of his landmark Antiqua in pink gold. But how do two of these rare watches look side by side under the unforgiving lens of my camera?
Recently, a good friend and avid collector gave me the mouth-watering opportunity to photograph two splendid Patek Philippe minute repeaters: the 5074P and 5078P. If you’re one of those people who believe in wearing a watch with your tuxedo, I don’t think you’d ever go wrong in pulling the 5078P out of the safe to wear. What else is interesting about it?