If you’re at all a Lange enthusiast like GaryG, you’ll likely understand the most compelling reason for buying the Odysseus is that it’s an A. Lange & Söhne watch you can wear every day.
GaryG recently had the opportunity to borrow a Rolex GMT-Master II BLRO Meteorite from a long-time friend to photograph and wear. This watch’s main event is the dial, a thin slice of metallic meteorite whose crystalline structure reflects the slow cooling process that took place as the meteor hurtled through space. Here he tries a variety of photographic techniques to learn which works best on the dial’s unique structures. Which are your favorites?
Given GaryG’s musings on these pages about the relative roles of rarity and complication in driving the value of a watch, he thinks it appropriate to dedicate this “Behind the Lens” entry to a piece that is both complicated and limited in production: Patek Philippe’s Reference 5950A. What’s so special about this watch? Well, first of all it’s a split-seconds chronograph. What else?
While GaryG thinks it’s all the more impressive that designers continue to delight us with new looks, many watches are often very similar. And trying to describe the slippery slope from vague resemblance to outright theft is not a simple task. So he begins down at the lower end of the grade with so-called homage watches and moves up the GaryG Styling Statute of Limitations from there.
If H. Moser & Cie is edging away from the satirical approach that brought us the original Swiss Alp Watch, it is doing so with a bang with the Vantablack-dialed Final Upgrade version. The Vantablack dial coating, as advertised, absolutely absorbs any light that comes its way. But that is not all that GaryG finds spectacular about this timepiece.
November 2018 marked a personal horological high point for GaryG as he took delivery of an “unobtainable” watch, the Patek Philippe Reference 3940P-027. Gary shares his reasons for buying this rare timepiece with us here.
When collectors gather anywhere and talk about their collections, recent purchases, and executed or potential sales, there’s a term that comes up more often than not: “getting hurt.” Here GaryG provides a masterclass in how not to get hurt in the world of watch collecting.
Those of you who share the collecting bug see where GaryG is going: the start of a journey of learning about Native American arts and the artists behind them while amassing a set of treasured items that now stretches well beyond what he would have predicted. And he ups the fun by matching up rings, buckles, cufflinks, and bolos with watches.
One of the great pleasures GaryG has of being a contributor here at Quill & Pad is that it gives him an excuse to set aside other priorities on a regular basis and immerse himself in the world of macro watch photography. Along the way, he has been asked by a number of folks to reveal techniques that he uses to create the images you see in his articles, so here he shares some of his tips.
GaryG ordered a Hasselblad X1D. He had never shot with a medium-format camera before, and the resolving power, color rendering, and ability to seemingly wrap light around a subject completely blew him away. So when Hasselblad announced that it would be offering a 120 mm macro lens for the X1D, he was among the very first to sign up. But did it make a difference in his watch photography?
