GaryG wears all of the watches in his collection, though some watches are more suited to daily wear than others. A reader’s question got Gary thinking, both about which pieces in his assortment are the go-to routine watches for frequent wear and, at a more fundamental level, what makes a watch a “daily wearer.” Read his opinion on that right here.
With no travel for GaryG over the last COVID-19-restricted months, he has been grateful for opportunities to add variety by handling some of this year’s new watches. And recently Breitling lent Gary three of its new re-edition watches. He shares his thoughts and stunning photos of these new Breitling models here.
If there were a watch enthusiasts’ encyclopedia, under “embarrassment of riches” the image might just be a side-by-side shot two of contemporary watchmaking’s great complicated pieces: the “mighty” A. Lange & Söhne Double Split and Patek Philippe’s Reference 5370P split-second chronograph. In this article, GaryG compares and contrasts them to come out with a winner.
As a collector, and a fairly visible one at that, GaryG has been paying attention to reports of muggings and thefts of watches and wondering whether it makes sense these days to wear valuable pieces in public. He polled a group of 20 watch enthusiast friends on their personal safety while wearing watches to learn what steps they take to keep safe.
In this installment of Behind the Lens, GaryG shares a series of photographs of one of the great watches of our time, the Philippe Dufour Duality. The Duality, with its linked twin escapements, was originally planned for production in a series of 25 watches. In a turn of events that seems almost unbelievable today, a lack of initial demand eventually led Dufour to limit production to just nine pieces, one of which is owned by a good friend of Gary’s.
When someone says “I’m no prude,” it is pretty easy to imagine what typically comes next: a prudish commentary on some aspect of modern society or youth culture. GaryG likes sex. There we go! To the point and leaves no doubt as to intent. That said, he typically tries to keep his interests in sex and watches somewhat distinct. But does the watch industry at large?
GaryG was sitting at his breakfast table on the morning of January 18, 2013 when during his morning scan of news he saw a photo of something breathtaking. It was Logical One by Romain Gauthier – a watch he immediately knew that he would own someday. He was captivated by the white gold version with frosted gold movement: this was “the one” for him.
As these things go, Parmigiani Fleurier and GaryG go back a pretty long way. So it was with significant interest that he took up the opportunity to handle, photograph, and evaluate Parmigiani’s latest introduction, the Tondagraph GT. It’s a relatively rare combination of two useful complications in what the brand calls “all-occasion” packaging, and it is offered at a quite reasonable price relative to other pieces of its kind.
In GaryG’s view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless set him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order as typified by the Haldimann H1 Flying Central Tourbillon.
GaryG bought a Vianney Halter Deep Space Tourbillon and hopes that you will find his commentary on a collector’s mindset and the motivations, delights, and possible misgivings interesting and helpful. And of course there are the amazing photographs that only GaryG takes.
