Joshua Munchow feels a philosophical bond with John-Mikaël Flaux, an independent watchmaker and automaton designer, just from how Flaux describes himself and why he creates. Joshua loves the mechanical marvels he constructs, but it’s deeper than the result of his craftsmanship: Flaux is a mechanically curious person and his passion comes through in the objects he makes. Find out exactly what those are right here.
TriPod designer Maximilian Maertens says that for him MB&F is a love story. He also says that nobody else is as positively crazy as MB&F founder Maximilan Büsser. Maertens knows that most of his pieces are too extroverted and too crazy for most. Luckily for us the two Maxes work together. And now let’s welcome TriPod.
For Martin Green, the MB&F L’Épée 1839 Massena Lab T-Rex Bronze seems more raw and animalistic than its predecessors, as though you can smell the scent of this top predator moving through dense vegetation. He thinks that the true T-Rex variation has landed, and here he explains why.
One viewing of the Parmigiani Fleurier Hippologia in action is enough to confirm that its two horses’ gaits seem completely fluid and natural. The Hippologia displays two horses, a mare, and a foal taking a stroll around a Lalique glassware cabinet enclosing the highly complicated automaton and eight-day clock movement. This is an object that needs to be seen to be believed.
Clockmakers rarely get the credit they deserve, and Elizabeth Doerr believes that Rick Hale is deserving of at least a few minutes of your attention because this young autodidact clockmaker is doing something unique: handmaking self-designed clocks out of wood according to some of John Harrison’s principles.
There are clocks that deserve to be talked about, written about, bought, and enjoyed. And this goes double for any and all of the unique timepieces by independent horologist Miki Eleta. Elizabeth Doerr had the pleasure of seeing Eleta’s latest masterpiece, Natuhrzeit, at Baselworld 2019 and she has not been able to get it out of her mind since. Enjoy the show!
In Einstein’s Special Theory of Relativity, the great man introduced the concept of “spacetime: henceforth, space by itself, and time by itself, are doomed to fade away into mere shadows, and only a kind of union of the two will preserve an independent reality.” Which segues nicely into the discovery of a clock by Gustave Sandoz that doesn’t tell the time: it tells distance.
Konstantin Chaykin’s Moscow Comptus Easter Clock masterpiece isn’t designed for the wrist but for the mantel. And it presents further evidence that the man Joshua Munchow dubs the “Wonderboy Russian Watchmaker” is one of the greatest watch- and clockmakers in the game today.
For those unaware of the work of clockmaker Eric Freitas, Joshua Munchow describes his aesthetics as a combination of the styles of Guillermo Del Toro, Tim Burton, Salvador Dalí, and the entire production design of Jim Henson’s ‘The Dark Crystal’ if they were combined into an intense mechanical wall clock. Who wouldn’t want to have a look at this?
Given Panerai’s origins in Florence, it should come as no surprise that the Italian watchmaker created a horological tribute to the insatiably curious father of modern science Galileo Galilei, who was once a resident of the Renaissance city. The Jupiterium is a one-of-a-kind geocentric planetarium with perpetual calendar.