The 23 vintage LIP watches in this article are not for sale: they were made for friends and are based on wristwatches from the late 40s and early 50s from the LIP brand. Thomas Brechtel shares this story of passion.
While tastes and fashions are constantly changing and continuously evolving in the field of mechanical wristwatches, they seem to be at a standstill in the field of table clocks and wall clocks. Master enameler Vanessa Lecci hopes to change that with her modern take on Pendules Neuchâteloises clocks.
Rebecca Struthers: “Hands of Time. A Watchmaker´s History of Time” is a journey through history, a comprehensive compendium, a rich historical reference book about time, clocks, movements, craft, material, significant inventions, and the people who made them.
Clocks come in all shapes and sizes: table clocks, wall clocks, desk clocks, pendulum clocks, longcase clocks, and marine chronometers. Here Thomas Brechtel makes the case for why you should consider a clock and highlights the work of Naesche clocks.
Finnish independent watchmaker Torsti Laine’s timepieces feature strong individualization, bespoke designs, “dream color” dials, movements, colors, guilloché, lovely hands, and applied numerals – especially Breguet style – in any shape or language. Avid Quill & Pad reader Thomas Brechtel visited Laine in his workshop in Le Locle, Switzerland, and shares what he learned there with us right here.
The Lundis Bleus arts and crafts are a very special aspect of watchmaking. It is not so much about the mechanical side – escapements, micro rotors, gearwheels, and gold chatons – but more the artistic and aesthetic (dial) side of independent watchmaking. Is this why Thomas Brechtel chose to buy two custom-made watches from the boutique brand?
Thomas Brechtel shares his visit with us to see the Meissen collection featuring the art of fine porcelain clocks in Germany, just a few kilometers from Dresden.
Finnish independent watchmaker Torsti Laine’s timepieces feature strong individualization, bespoke designs, “dream color” dials, movements, colors, guilloché, lovely hands, and applied numerals – especially Breguet style – in any shape or language. Avid Quill & Pad reader Thomas Brechtel visited Laine in his workshop in Le Locle, Switzerland, and shares what he learned there with us right here.