For a watch guy that loves mechanics, but can appreciate precious stones, there was a standout at Baselworld 2019: the Graff GyroGraff, which Joshua Munchow found both a very respectable mechanical marvel and also a canvas upon which Graff can create its gemstone magic. Here’s a commented overview of the line.
From a technical point of view, skeletonizing makes no sense: watchmakers go to great length to create a stable and robust movement, only to have others saw away pieces of its components. Skeletonizing is one of those instances when form takes over from function, bringing it even closer to being art.
The grandeur of Place Vendôme is hard to match. And to say that about a location in a city like Paris is quite a statement. Follow Martin Green’s tour of the horological history of the square and learn some things you undoubtedly never knew!
Welcome to the 2017 edition of Quill & Pad’s Grand Prix d’Horlogerie de Genève. Here the team picks favorites in the Ladies High-Mech category and explains the reasons for its choices, notably why the team has unanimously picked a winner!
In recent years, the word “skeletonization” as it is used in the world of watches has shifted slightly in meaning to include movements designed from the outset as skeletonized. Let’s take a look at a few different types of skeletonization, both modern and traditional, as seen on five different timepieces at Baselworld 2017.
The year 2017 wasn’t just good for both interesting and exciting new wristwatches at Baselworld: I’d go so far to rate it as a vintage year. This article started as a pure Top 5 rundown, but the sheer number of superb watches soon had us reaching for our “Special Mention” over spill. And that’s all without the really big surprises. So without further ado, welcome to our team’s top picks of Baselworld 2017.
When gemstones and haute horlogerie meet, one of two things can happen: the watch either becomes a fitting tribute to Liberace or the result is something fabulous thanks to the synergy.
One of the reasons I love visiting the Graff stand at Baselworld is because, since the entering the market in 2008, this brand has managed to make “lots of fabulous.”