Imagine that after discovering and rebuilding the (imaginary) Time Viewer originally constructed by Leonardo da Vinci, an inventor saw the need for a navigational clock for time travelers. Well one inventor, Tom Bales, did just that and acted upon it.
There are two ways to define a day: astronomically by measuring the time between midday to midday and by using a manmade clock. The difference between them is that the length of the former fluctuates while the latter remains fixed. As Ian Skellern explains, the same is true for the humble second.
Brittany “Nico” Cox is fascinated by looking at philosophical problems from a tactile perspective, and automata are a practical application of these ideas. Cochlea, a unique piece automaton, is the first in a series of ten animated imaginary animals she is creating.
Ian Skellern generally likes relatively restrained, traditional, high-end watches that are not too big for his small wrists. So with its large, high case, blingy, spinning “LOOK AT ME!” rotor on top, and mass-market Miyota movement, the M.A.D.1 ticks all of the boxes on his “may be interesting, but not for me” list. Here he explains why he bought one anyway and his first impressions.
The Two-Minute Tourbillon by Jean Daniel Nicolas/Daniel Roth is a watch that changed Ian Skellern’s life. Here he explains how and why.
In 2021 MB&F celebrated the tenth anniversary of the Legacy Machine collection and, fittingly, introduced a brand-new model to mark this milestone. While that watch is definitely increditastic, Joshua Munchow takes us on a journey through all the models, looking at key points and how the concept has evolved over the years before ending up with MB&F’s piece for the anniversary, LMX.
One of Ian Skellern’s highlights during Geneva Watch Days 2021 – in fact one of his highlights of 2021 altogether – was meeting a new young independent watchmaker called Vincent Deprez, who showed him an early prototype of his first watch, the Tourbillon Classique. Ian was immediately impressed by both Deprez’s obvious passion for traditional watchmaking and the extremely high quality of his watch.
Blast from the past! This post is a “reprint” of an article by Ian Skellern that was first published on The PuristS in 2005. This article is divided into four parts: Felix Baumgartner and Urwerk, Harry Winston Rare Timepieces and the Opus V, The Urwerk 103.03, and The Urwerk 103.03 user review.
This Breguet souscription pocket watch number 1836 was created just after the French Revolution in 1796 and was sold in 1807 for £600. A testament to the quality of the movement’s design and the skill of its watchmaker, after more than 200 years it still runs impeccably today, which makes it the perfect role model for Breguet’s modern Tradition line. But what relationship does Ian have to it?
Every time Ian Skellern writes the words “relatively affordable” here on Quill & Pad, he braces himself for the stream of comments reminding him that he must live in an alternative reality to most of the world. So he doesn’t describe the Patria Brigadier Flyback Chrono as relatively affordable (though compared to most of the watches we review on Quill & Pad he thinks it well merits that description), but he does think that it’s fantastic value and the bargain of the year. And here he explains why.
