Collecting and Patronage: Two Unique Watches from Independent Watchmaker Christian Klings
GaryG had the good fortune to photograph two sensational unique timepieces from independent German watchmaker Christian Klings.
I am the resident “collector” for Quill & Pad. My enduring love affair with good watchmaking began in my formative years and has accompanied me throughout my adult life. In the fortunate position to be able to acquire luxury timepieces as an adult, I am choosy in terms of quality and meaning and do not follow the mainstream art of collecting as it is primarily understood today.
I have been an active contributor to online horological fora for about a decade as I have also become very interested in learning the art of macro photography and even take lessons with wizard photographer Ming Thein. I joined Quill & Pad as the concept of talking about what interests the contributors (and therefore the readers) rather than the act of being an amplifier for industry press releases appeals to me greatly.
GaryG had the good fortune to photograph two sensational unique timepieces from independent German watchmaker Christian Klings.
If you’re at all a Lange enthusiast like GaryG, you’ll likely understand the most compelling reason for buying the Odysseus is that it’s an A. Lange & Söhne watch you can wear every day.
GaryG enjoyed the opportunity to check out three of his friends’ rare Patek Philippe pieces, all with salmon-colored dials: Reference 5059G-018 and Reference 3940G-029 perpetual calendars from Patek Philippe’s Vintage Collection and a unique piece Reference 5270G. He shares his thoughts and stunning photos with us here.
Roger Smith holds a special place in the pantheon of independent watchmaking, both on his own merits and as the man who worked most closely with the legendary George Daniels. While any Smith watch is rare, this particular Series 2 is unique: it’s the only watch in stainless steel that Smith has yet produced.
Wouldn’t it be splendid to have everything your heart desired? Well, it’s a nice fantasy but it’s not going to happen for GaryG. And, besides, he’s not so sure that the experience of “selling to buy” isn’t actually a significant part, albeit a bittersweet one, of the collecting experience. Find out why here.
When collectors gather anywhere and talk about their collections, recent purchases, and executed or potential sales, there’s a term that comes up more often than not: “getting hurt.” Here GaryG provides a masterclass in how not to get hurt in the world of watch collecting.
GaryG won’t soon forget the pre-opening independents party at Baselworld in 2019 where Kari Voutilainen wasted no time in showing him and a few friends a breathtaking timepiece: his 28ti, number 0, in titanium. Gary shares what happened next here and how it resulted in him photographing this unique piece.
If GaryG wants to buy a watch of any significance it requires that he sells one or more other pieces. The bad news is that all of the watches he doesn’t really love were sold off a long time ago! As a result, the discipline of asking “What watch in his current collection do I love less than this potential new purchase?” has become tougher and tougher. Here he shares three watches that he feels are long term-keepers and why.
This is the story of a daily-wear watch, the Tsunami by Japanese independent watchmaker Hajime Asaoka. It’s not a “beater” as it’s too beautifully made for that description, and some folks justifiably take offense at characterizing a five-figure expenditure in those terms. But it is a watch that GaryG suspects that he will be wearing a lot and in a variety of settings.
After years of thinking that a Nautilus wasn’t for him, in 2018 the Patek Philippe Reference 5740 was introduced and GaryG immediately asked for one. That started a four-year wait during which his gentle nudges were met by polite head shakes. And then . . .
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