GaryG roughly estimates that he has included around 400 photos in his 2018 articles, in turn culled from thousands of initial shots. He found it both enjoyable and a little difficult to select his favorites for the year, but has managed to squeeze it down to his favorite 24 photos, all first shown on Quill & Pad during 2018.
One of the great pleasures GaryG has of being a contributor here at Quill & Pad is that it gives him an excuse to set aside other priorities on a regular basis and immerse himself in the world of macro watch photography. Along the way, he has been asked by a number of folks to reveal techniques that he uses to create the images you see in his articles, so here he shares some of his tips.
Given GaryG’s musings on these pages about the relative roles of rarity and complication in driving the value of a watch, he thinks it appropriate to dedicate this “Behind the Lens” entry to a piece that is both complicated and limited in production: Patek Philippe’s Reference 5950A. What’s so special about this watch? Well, first of all it’s a split-seconds chronograph. What else?
A generous friend recently offered GaryG the opportunity to shoot his white gold Kari Voutilainen Masterpiece Chronograph II so that Gary is able to share photos of both his custom pink gold Chronograph II in comparison to his friend’s custom white gold version.
For this edition of Behind the Lens, GaryG shares a series of photographs of one of the great watches of our time, the Philippe Dufour Duality. The Duality, with its linked twin escapements, was originally planned for production in a series of 25 watches. In a turn of events that seems almost unbelievable today, a lack of initial demand eventually led Dufour to limit production to just nine pieces.
As part of my “enthusiast collector” role here at Quill & Pad I will be taking a look at watches that strike my fancy, and sharing the visual results with you along with a few observations on photography, the watches themselves, and the collectors who own them.
Let’s get started, shall we? Our subject for this episode: the F.P. Journe Tourbillon Souverain with remontoir d’égalité.
GaryG ordered a Hasselblad X1D and received it just in time to use it for some candid portraits during Baselworld 2017. He had never shot a medium-format camera before, and the resolving power, color rendering, and ability to seemingly wrap light around a subject completely blew him away. So when Hasselblad announced that it would be offering a 120 mm macro lens for the X1D, he was among the very first to sign up. But did it make a difference in his watch photography?
One of the great pleasures of being a contributor here at Quill & Pad is that it gives me an excuse to set aside other priorities on a regular basis and immerse myself in the world of macro watch photography. Along the way, I’ve been asked by a number of folks to reveal techniques that I use to create the images you see in my articles, so here are some of my tips.
In 1985 I walked into Hackney Technical College; the course on horology had already started two weeks earlier, but I was welcomed on board. And so began my education in horology. But how did I come to found The Naked Watchmaker?
As regular readers know, the idea of the Behind the Lens series is to present great watches as seen from a variety of visual perspectives. Mostly, I feature watches on loan from my generous friends, but this time let’s look at a piece that I am very fortunate to have in my own collection: the legendary Simplicity by Philippe Dufour in a 37 mm white gold case with white lacquer dial.