Atom Moore is a New York-based watch photographer who has a unique eye on his subject: his “portraits” comprise artistic works of watch photography based on his signature macro and “mashup” techniques. The NAWCC Watch and Clock Museum in Columbia, Pennsylvania will be hosting an exhibition of Moore’s work from April 30, 2017, which you can check out here.
Recently, a good friend and avid collector gave me the mouth-watering opportunity to photograph two splendid Patek Philippe minute repeaters: the 5074P and 5078P. If you’re one of those people who believe in wearing a watch with your tuxedo, I don’t think you’d ever go wrong in pulling the 5078P out of the safe to wear. What else is interesting about it?
Given my recent musings on these pages about the relative roles of rarity and complication in driving the value of a watch, it seems appropriate to dedicate this “Behind the Lens” entry to a piece that is both complicated and limited in production: Patek Philippe’s Reference 5950A. What’s so special about this watch? Well, first of all it’s a split-seconds chronograph. What else?
The top picks of my eighth consecutive visit to Baselworld were purely emotional, down to the design and aesthetics. These would be watches that I would want to wear and own. So armed with a bottle of water, my trusty Leica Q and tones of enthusiasm, this is #mybaselworld.
As regular readers know, the idea of the Behind the Lens series is to present great watches as seen from a variety of visual perspectives. Mostly, I feature watches on loan from my generous friends, but this time let’s look at a piece that I am very fortunate to have in my own collection: the legendary Simplicity by Philippe Dufour in a 37 mm white gold case with white lacquer dial.
This year I attended my third SIHH. With the introduction of an independents’ lounge called Carré des Horlogers, it was certainly a changed place, energized with new blood added to the existing Richemont and other brands that comprise the exhibitors at the SIHH. Here I’d like to share with you a selection of wristshots I took with the Leica Q during the 2016 edition of SIHH. Enjoy!
Jackson Hole, Wyoming may not be on the bucket list of many except the keen fly fishermen among you, but here are five reasons why nature lovers and photographers might consider a visit: stunning scenery, animal life, Yellowstone National Park, Brakeman burgers, and the northern lights. September is my favorite time to visit Jackson Hole because the summer tourists have thinned, the trees are starting to dress for fall, and the animals move down from the mountains to eat in warmer climes.
In my view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless sets him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order, as typified by the Haldimann H1 Flying Central Tourbillon.
While on holiday in Jackson Hole, Wyoming I thought that I would take advantage of the moonless, clear sky and try my hand at shooting a time-lapse series of photos of the stars rotating. I set up my Canon 5D Mk III on a tripod pointing roughly north with the following settings: Lens: 35 -70 mm set to 35 mm; F: 4.0; ISO: 1600 and shutter: 30 seconds. This is the big surprise that I got!
For those of you who are regular readers of my “Behind the Lens” series, it’s no secret that my watch pals and I are big fans of independent watchmaking.
Here at Quill & Pad we’re also fans of the independents, prominently including Irish watchmaking brothers John and Stephen McGonigle.
Recently, I had the opportunity to photograph an example of the Tuscar One in Ten owned by a good friend. Let’s take a look at some of the results.