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There are some watches you fall for the moment you see them. Sometimes that initial infatuation passes and you move on to the next temporary obsession, but then there are those instances in which the more you see, talk about, and learn about a piece and its origins the more you resolve to save up to buy one. For GaryG, the Grönefeld 1941 Remontoire was one of the latter.
It would be relatively easy, and pretty interesting, for GaryG to tell you the story of his two days one summer with artist Alexa Meade and her team. And he’ll get to that, but there’s more: the flood of sensations and emotions that came from considering why time and space are so important to him and from inhabiting a work of art that melded GaryG’s vision of himself with the artist’s interpretation and self-expression. But what does any of this have to do with watches?
GaryG once wrote on Quill & Pad about his relationship with the world’s greatest mass luxury brand in ‘Why I’ve Never Owned a Rolex – And Why I Might Yet.’ Well, to know him is to know that if he says he “might yet” buy something it’s likely only a matter of time. So, too, with this Rolex: the GMT Master II BLNR “Batman” with black-and-blue bezel.
While his friends’ paths into serious collecting have been fairly diverse, GaryG started with Jaeger-LeCoultre, which opened his eyes to the world of fine watchmaking and served as the foundation for his ongoing fascination with horology. Take a look at Gary’s history collecting fascinating timepieces by this Swiss brand.
This is the story of the final watch – or, truthfully, pair of watches – that GaryG happened upon at a Sotheby’s auction in late 2017 and felt that he just had to have: two 1970s prototype pieces made by Jaeger-LeCoultre. But why “unsalable”? Find out here!
The watch nerd that WMMT is, he rarely immediately wears his new watches, putting them aside for a few days and letting the anticipation grow. When it finally came time to wear his new Rolex, he took it out of the box and proudly put it on his wrist. And then horror struck: he didn’t feel anything, not a thing! Zilch, nada, niente! What to do?
The retrograde indication is one of Joshua Munchow’s favorite “Because We Can” (BWC) complications. Gears are an amazing invention and have allowed watchmakers to make incredible creations. Simple gear systems leave a multitude of openings for creativity. He looks at some great examples of them here.
Since January of 2016, secondary market prices of stainless steel Patek Philippe Nautilus models have surged in a fashion rarely seen. This phenomenon – and it is that – is exceptional for reasons including the relative age of the models involved, the magnitude of the surge, and the speed with which it has struck. Here Tim Mosso takes a closer look at the current secondary market insanity of the Nautilus.
GaryG’s first rule when it comes to collecting is to avoid setting too many exclusionary rules. With watches, he believes that it’s the passion that separates collectors from investors and accumulators. Which brings him to another rule: deriving the full enjoyment from the things you own.
In this article retail expert John Keil explains how and why the gray market for watches exists.
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