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3612

Heavy Metal: Great (and Not so Great) Watch Bracelets – Reprise

If cases get too little attention from watch collectors, GaryG feels that the straps and bracelets that turn a timepiece into a wristwatch seem to get even less. And of late, especially with the controversy surrounding the introduction of the “integrated” bracelet of A. Lange & Söhne’s Odysseus, he has been pondering metal watch bracelets and what makes them so special.

3613

Talking Watches and Guitars with the Legendary John McLaughlin: From Miles Davis to Mahavishnu and Only Watch – Reprise

After Colin Alexander Smith noticed John McLaughlin wearing an Audemars Piguet Royal Oak in live footage from the 1990s along with various other interesting timepieces, he somewhat cheekily asked him for an interview to discuss his watches rather than his music or his guitars, to which he kindly agreed. Not surprisingly they ended up discussing all three in this riveting interview spanning decades’ worth of music, stories, and timepieces.

3614

The Golden Age of Rolex Movements Part III: Branding vs. Breakthroughs in Recent Years – Reprise

The last two decades have witnessed regular Rolex engineering advances, often in plain sight and in rapid succession. Despite these developments, Rolex remains a brand defined not by movements but by continuity, model families, and the Rolex image itself. Tim Mosso thinks that the root of Rolex’s soft-pedaled reputation for movement virtuosity lies in the company’s own branding strategy. That and more in this third installment of Rolex’s history of movement technology.

3615

IWC Pilot’s Watch Mark XVIII: Complex Simplicity

IWC is one of the most recognizable names in the luxury watch market. They have multiple iconic models – one of them being the Pilot’s Watch Mark collection. The Mark series began with the Mark X in 1944 and has remained somewhat constant since then. The latest in the lineup is the Mark XVIII, released in 2016. While not the newest watch from IWC, the range is iconic enough to be still talked about.