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861

The How, What, When, Where And Why Of Seeing The Aurora Borealis, AKA Northern Lights – Reprise

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Ian Skellern and his wife serendipitously chanced upon “seeing” the aurora borealis while visiting Jackson Hole, Wyoming, and the excitement of that led to months of research. And that research led to spending a few days in the Arctic Circle in the north of Sweden. Here is what Ian has learned about the northern lights so far, some of it firsthand.

862

Gincredible! How And Why Gin Went From Murderous Swill To 007-Level Cool

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In eighteenth-century England, a typical sign outside a gin shop read, “Drunk for a penny. Dead drunk for twopence. Clean straw for nothing.” But by the twentieth century Sir Winston Churchill reported that, “The gin and tonic has saved more Englishmen’s lives, and minds, than all the doctors in the Empire.” Ken Gargett fills his glass and takes a look at the evolution of gin. Cheers!

864

Point Of Reference: The Standards Of The Geneva Seal- Reprise

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The Geneva Seal is very old, having been proposed on November 6, 1886 by the Grand Council of the Republic and Canton of Geneva as a way to certify a level of quality for which the canton was becoming known. Every piece produced with the Geneva Seal is equally outstanding, so let’s have a look at what goes into attaining this coveted hallmark.

866

Parmigiani Fleurier And The Yusupov Fabergé Egg Of 1907 – Reprise

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When they hear the name Fabergé, most people immediately think of Imperial Easter eggs. The egg tradition hatched in 1885 when Tsar Alexander III commissioned his first Easter egg from Fabergé as a gift to his wife, Empress Maria Feodor. This became a yearly tradition, with Fabergé creating 49 eggs in total for the Russian court up to 1916. Here we have the story of the Yusupov Egg of 1907 and how it was restored by Parmigiani.

870

‘Watch’ Painting By American Artist Gerald Murphy On Display In Dallas Museum Of Art – Reprise

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A visit to Texas offered Elizabeth Doerr a surprise: she came across a very large painting simply entitled ‘Watch’ at the Dallas Museum of Art. Further inquiry into its painter, Gerald Murphy, revealed a fun historical anecdote and a bit of a mystery. Why did Murphy paint a giant Cubist impression of two watches in 1925, and which watches were they?