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The new UR-100V P.02 brings together three parties: in addition to Urwerk and Collective, the project will benefit New York’s Intrepid Sea, Air, and Space Museum. And for GaryG it’s an example of combining concepts that at first glance seem contradictory: collaboration and exclusivity. In space.
There are some watches you fall for the moment you see them. Sometimes that initial infatuation passes and you move on to the next temporary obsession, but then there are those instances in which the more you see, talk about, and learn about a piece and its origins the more you resolve to save up to buy one. For GaryG, the Grönefeld 1941 Remontoire was one of the latter.
There are more than a few people investing in watches that they can’t touch, wear, or wind: welcome to the sometimes murky world of watch funds. Here, Brendan Cunningham takes a look at what they do and their impact on secondary-market prices and scarcity.
Since January of 2016, secondary market prices of stainless steel Patek Philippe Nautilus models have surged in a fashion rarely seen. This phenomenon – and it is that – is exceptional for reasons including the relative age of the models involved, the magnitude of the surge, and the speed with which it struck. Here Tim Mosso takes a closer look at the current secondary market insanity of the Nautilus.
What happens after a watch is stolen? Many collectors may be inclined to ignore this question as it isn’t fun to ponder. However, regrettably, we live in a time when this issue is even more pressing. Here Brendan Cunningham talks to Chris Marinello, founder of Art Recovery International, to learn what happens to stolen watches.
A grail watch can be pretty much anything. But one thing a grail watch always is is personal. Very personal. Martin Green was introduced to his personal grail watch by a close friend who had recently treated himself to a new watch: a pre-Collection Privée Cartier Paris Louis Cartier Tank in platinum. Here’s the story of how Martin got his grail.
The “unobtanium” phenomenon isn’t limited to watches from the past, there are a variety of references for which supply seems to lag demand. Nowhere is this more apparent than in the current market for select steel sports watches. Here GaryG highlights some interesting dynamics caused by that imbalance, led by a loud chorus of complaints from prospective buyers.
GaryG encountered Konstantin Chaykin’s Joker, whose “face” is literally just that: two googly eyes show the hours and minutes with their respective pupils while a lolling red tongue displays the phase of the moon. He was transfixed, moments later placing his order. Find out why here.
Once upon a time in a small watch shop in a (relatively) small California town before GaryG really knew much at all about Vacheron Constantin as a brand and company. there was a display case. And a watch: the Vacheron Constantin Malte Squelette.
It would be relatively easy, and pretty interesting, for GaryG to tell you the story of his two days one summer with artist Alexa Meade and her team. And he’ll get to that, but there’s more: the flood of sensations and emotions that came from considering why time and space are so important to him and from inhabiting a work of art that melded GaryG’s vision of himself with the artist’s interpretation and self-expression. And there was even a watch.
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