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61

Wristshots And Online Watch Photography: The Saga Continues, And, Yes, There’s Instagram Too – Reprise

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How time flies! It seems like only yesterday that GaryG penned an article about wristshots. But that was back in 2015. And in 2017 that he posted thoughts and images on how to – and how not to – take watch photographs for sharing. It seemed to Gary that it’s about time for an update on both – as while some things remain the same, much has changed.

62

Behind The Lens: Rolex GMT-Master II Meteorite, Where Global Travel Meets Outer Space

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GaryG recently had the opportunity to borrow a Rolex GMT-Master II BLRO Meteorite from a long-time friend to photograph and wear. This watch’s main event is the dial, a thin slice of metallic meteorite whose crystalline structure reflects the slow cooling process that took place as the meteor hurtled through space. Here he tries a variety of photographic techniques to learn which works best on the dial’s unique structures. Which are your favorites?

64

How To – And Not To – Photograph A Watch – Reprise

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One of the great pleasures GaryG has of being a contributor here at Quill & Pad is that it gives him an excuse to set aside other priorities on a regular basis and immerse himself in the world of macro watch photography. Along the way, he has been asked by a number of folks to reveal techniques that he uses to create the images you see in his articles, so here he shares some of his tips.

65

How To (And Not To) Photograph A Watch – Reprise

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One of the great pleasures GaryG has of being a contributor here at Quill & Pad is that it gives him an excuse to set aside other priorities on a regular basis and immerse himself in the world of macro watch photography. Along the way, he has been asked by a number of folks to reveal techniques that he uses to create the images you see in his articles, so here he shares some of his tips.

66

Behind The Lens: Shooting Watches With The Hasselblad X1D-50C

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GaryG ordered a Hasselblad X1D and received it just in time to use it for some candid portraits during Baselworld 2017. He had never shot a medium-format camera before, and the resolving power, color rendering, and ability to seemingly wrap light around a subject completely blew him away. So when Hasselblad announced that it would be offering a 120 mm macro lens for the X1D, he was among the very first to sign up. But did it make a difference in his watch photography?

67

How To (And Not To) Photograph A Watch

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One of the great pleasures of being a contributor here at Quill & Pad is that it gives me an excuse to set aside other priorities on a regular basis and immerse myself in the world of macro watch photography. Along the way, I’ve been asked by a number of folks to reveal techniques that I use to create the images you see in my articles, so here are some of my tips.

68

Behind The Lens: The Philippe Dufour Simplicity

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As regular readers know, the idea of the Behind the Lens series is to present great watches as seen from a variety of visual perspectives. Mostly, I feature watches on loan from my generous friends, but this time let’s look at a piece that I am very fortunate to have in my own collection: the legendary Simplicity by Philippe Dufour in a 37 mm white gold case with white lacquer dial.

69

Behind The Lens: Philippe Dufour Duality

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For this edition of Behind the Lens, I’m sharing a series of photographs of one of the great watches of our time, the Philippe Dufour Duality. The Duality, with its linked twin escapements, was originally planned for production in a series of 25 watches. In a turn of events that seems almost unbelievable today, a lack of initial demand eventually led Dufour to limit production to just nine pieces, one of which is owned by a good friend of mine.

70

Bonhams Auctions The Leica Camera That Took One Of The World’s Most Iconic Photos

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A photo of soldiers hoisting the Soviet flag over the Reichstag at the end of WWII, became one of the most iconic images of the century. One of the subjects in the image was wearing two watches, one of which was removed in official reproductions of the photo. The camera used to take that iconic image, a Leica III, is to be auctioned by Bonhams, and it’s expected to fetch more than £300,000 ($500,000).