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Many of you are likely to have come across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, watch enthusiasts. Like many people, GaryG’s starting point for serious watches was with a well-priced brand long known for its expertise in developing movements, justly viewed as offering good value for money – but not necessarily for the refinement of its movement finishing, at least on its less expensive pieces. Read on to discover what he has learned since then.
This is the last in our three-part series on tourbillons from Baselworld 2014. It includes fantastic timepieces from Blancpain, Greubel Forsey, Girard-Perregaux, Hautlence and Vianney Halter I have stretched the criteria a little here: while I saw the Greubel Forsey and Vianney Halter watches during Baselworld, neither of them was actually exhibiting at the fair.
The balance wheel is the regulatory organ of a mechanical watch, which is expected to deliver a consistent frequency with a tolerance of as little as 0.001 percent. With so much at stake, why complicate things by altering a pure and simple geometric shape? Why reinvent the wheel? Here Ryan Schmidt presents five balances that reinvented the wheel.
In the “Objects of Desire” series, I look at pieces that fall into the categories unobtanium and timenotrightium, as my Quill & Pad colleague Joshua Munchow might say. And, where better to start on the topic of desire than with the watches of Robert Greubel and Stephen Forsey?
In ten years, Greubel Forsey has presented the Double Tourbillon 30°, the Opus 6 for Harry Winston, the Tourbillon 24 Secondes, Invention Piece 1 (another of my all-time favorite watches), the Quadruple Tourbillon, the GMT, the Double Balancier and lastly the Quantième Perpétuel à Équation du Temps.
Take a 360° tour of the 2014 SIHH! As the first big watch exhibition of the year, the annual SIHH (Salon International de la Haute Horlogerie) in Geneva attracts plenty of interest. However, as a very restricted, invitation-only trade show, it is difficult for the watch-loving public to get an idea of what the SIHH really looks like.
Many of you are likely to have come across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, watch enthusiasts. Like many people, GaryG’s starting point for serious watches was with a well-priced brand long known for its expertise in developing movements, justly viewed as offering good value for money – but not necessarily for the refinement of its movement finishing, at least on its less expensive pieces.
Anyone who visits online watch forums with any frequency very likely comes across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, enthusiasts. What is it and why are opinions divided?
In the “Objects of Desire” series, I’ll be looking at pieces that fall into the latter two categories – a mix of unobtanium and timenotrightium, as my Quill & Pad colleague Joshua Munchow might say. And, where better to start on the topic of desire than with the watches of Robert Greubel and Stephen Forsey?
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