New York, New York! Teeming metropolis, center of commerce and culture, and for two dizzying weeks in July 2017 the epicenter of the watch-related world as Patek Philippe’s Grand Exhibition shone a spotlight on the past, present, and future of haute horlogerie. Read on to find out why I think this exhibition was so important.
I am the resident “collector” for Quill & Pad. My enduring love affair with good watchmaking began in my formative years and has accompanied me throughout my adult life. In the fortunate position to be able to acquire luxury timepieces as an adult, I am choosy in terms of quality and meaning and do not follow the mainstream art of collecting as it is primarily understood today.
I have been an active contributor to online horological fora for about a decade as I have also become very interested in learning the art of macro photography and even take lessons with wizard photographer Ming Thein. I joined Quill & Pad as the concept of talking about what interests the contributors (and therefore the readers) rather than the act of being an amplifier for industry press releases appeals to me greatly.
Entries by GaryG
My thoughts have turned to one major system that is always there, but generally hidden from sight: the movement. Here are a few of my favorites and why. And in the philosophy of putting my money where my mouth is, these movements have appeared in one or more watches that I’ve owned personally.
For watch lovers, the name “Paul Newman” is associated first and foremost with Rolex, and in particular with a subset of that brand’s Daytona watches with specific dial characteristics, including a recessed outer seconds track and subdials that feature block-shaped hash marks and Art Deco-style Arabic numerals. But what does it mean for these references on the vintage market?
If you follow the world of independent watchmaking, by now you’ve almost certainly heard of watchmaker Rexhep Rexhepi and his Akrivia watches. Since arriving on the scene in 2012 with its first tourbillon-based watch, Akrivia has continued to delight.
Can you recall the last time that you read a review of a newly introduced watch and the first few paragraphs of the article were about the case? Yeah – thought not. So here it goes: let’s talk about cases.
As regular readers know, the idea of the Behind the Lens series is to present great watches as seen from a variety of visual perspectives. Mostly, I feature watches on loan from my generous friends, but this time let’s look at a piece that I am very fortunate to have in my own collection: the legendary Simplicity by Philippe Dufour in a 37 mm white gold case with white lacquer dial.
It’s no secret that I’m a big fan of Vianney Halter and his work. I strongly believe that one of the defining moments of my development as a collector was taking the plunge and buying an example of his landmark Antiqua in pink gold. But how do two of these rare watches look side by side under the unforgiving lens of my camera?
I was sitting at my breakfast table on the morning of January 18, 2013, when during my morning scan of news I saw a photo of something breathtaking. It was Logical One by Romain Gauthier – a watch I immediately knew that I would own someday. I was captivated by the white gold version with frosted gold movement: this was “the one” for me. Read on to discover why.
GaryG provides us with a look at why he bought the A. Lange & Söhne Double Split even though he already owned the brand’s Datograph. The Double Split watch is the world’s only double rattrapante capable of both split-second and split-minute interval timing.
In January 2017, three of our “watch gang” had the particular pleasure of visiting Agenhor, the horological design and assembly shop led by Jean-Marc Wiederrecht, which has been behind some of the most innovative watches of recent years. Here are a few of the things that we saw and learned.