While in my day job I’m rumored to be a moderately creative guy, and in my youth I was a bit of an instrumentalist, suffice it to say that when it came to drawing and sculpting I never really showed any aptitude. That hasn’t kept me from admiring the works of visual artists, though, and over the past several years my attention has been drawn to the works of one painter in particular: Alexa Meade. You may imagine my surprise when I found her staging an art installation for Maurice Lacroix at Baselworld 2017!
I am the resident “collector” for Quill & Pad. My enduring love affair with good watchmaking began in my formative years and has accompanied me throughout my adult life. In the fortunate position to be able to acquire luxury timepieces as an adult, I am choosy in terms of quality and meaning and do not follow the mainstream art of collecting as it is primarily understood today.
I have been an active contributor to online horological fora for about a decade as I have also become very interested in learning the art of macro photography and even take lessons with wizard photographer Ming Thein. I joined Quill & Pad as the concept of talking about what interests the contributors (and therefore the readers) rather than the act of being an amplifier for industry press releases appeals to me greatly.
Entries by GaryG
To my longtime friends in the watch hobby, and perhaps to regular readers here as well, the mention of my name may conjure up a number of connotations: patron of the independents, fan of A. Lange & Söhne, admirer of Patek Philippe grand complications, and longtime customer of Jaeger-LeCoultre, among other characterizations more or less favorable.
But these likely never included vintage maven! So how did I get here?
I hadn’t had much contact with Parmigiani over the past few years, so I was eager both to wear one of the brand’s most distinctive watches and to learn more about its current collection and plans. The moment I liberated the Pantographe from its box I was impressed: this is one serious watch. Read on to learn what I thought about this watch and what the brand might do to bloom.
The first weekend of November 2016 was a big one for me: in addition to attending the Grand Prix d’Horlogerie de Genève, I collected not one, not two, but three spectacular watches. The watch I left home certain to bring back was one that I had been waiting patiently for since January 2016: the split-seconds chronograph Reference 5370P from Patek Philippe. Here’s why I bought it.
When the hammer came down at the Phillips auction late 2016 and I had become the new owner of a A. Lange & Söhne Pour Le Mérite Tourbillon, the feeling was one of complete joy, representing the culmination of a multi-year chase. What makes this particular watch so special in so many ways?
Anyone who visits online watch forums with any frequency very likely comes across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, enthusiasts. What is it and why are opinions divided?
SIHH week 2017 is off to a great start for our small group of California collectors. The highlight of our first day was our now-traditional Saturday night dinner with independent watchmaking legend Kari Voutilianen. Each year, Kari meets with us to share and explain the watches that he will be introducing at SIHH. And here they are.
This is the second year in a row that I’ve had the opportunity to attend the November watch auctions in Geneva. On last year’s trip, a good friend and I had the pleasure of participating in several events organized by Patek Philippe as well as the biennial OnlyWatch auction. This year, we returned for the previews and salesroom action at major houses including Phillips, Christie’s, and Sotheby’s.
On October 3, 2016, Patek Philippe launched two hotly anticipated limited-edition watches in commemoration of the fortieth anniversary of its Nautilus line. Reaction from the watch community was immediate – and scathing. Yet barely a few weeks later, opinions were much more positive. What happened and what changed?
Over the past few weeks, I’ve had the pleasure to write here about two truly splendid minute repeaters, both property of a good friend: Patek Philippe Reference 5074P and Reference 5078P. They both look great, but I’m guessing that if you’ve been following this series you’re most interested in how they sound. Well, here’s your chance. Welcome to the great Patek Philippe chime-off!