The initial key concepts for the AgenGraphe chronograph included having the elapsed time indicators displaying around the center hole so that the indications were large and highly legible, and that the minute and hour displays jumped instantaneously so that there could be no confusion when reading elapsed time. But the new chronograph ended up offering much more than that. Much more!
About Ian Skellern
I am the co-founder and technical editor of Quill & Pad. I am also a Swiss-based independent journalist specializing in high-end watches and founder of 'underthedial', a digital communication agency focusing on independent brands. I am also the author of 'Hands of Time,' a book celebrating the 25th anniversary of the AHCI (Académie Horlogère des Créateurs Indépendants).
Entries by Ian Skellern
It’s no exaggeration to say that here at Quill & Pad we are big fans of the Jaeger-LeCoultre Reverso. And now Urwerk introduces its own, very robust version of a reversible watch: the UR-T8 “Transformer.”
The Time Aeon Foundation, driver of the Le Garde Temps, Naissance d’une Montre project, will present its second project at the 2017 edition of SIHH, which involves a collaboration with the recently announced boutique brand Oscillon.
This is part 3 of a three-part series about Derek Pratt’s reconstruction of John Harrison’s Longitude Prize-winning H4, which was the world’s first precision marine chronometer. This article was first published in ‘The Horological Journal’ (HJ) in April 2015, who we thank for graciously granting permission to republish on Quill & Pad.
Impressively, the cathedral chimes remained audible as Stephen Forsey closed his palm completely around the Greubel Forsey Grand Sonnerie in a (knowingly) futile attempt to silence the gongs.
But how? And what else does this exceptional timepiece, one that I might call the best in the world, hold in store?
Here we present the second part in a three-part series about the making of Derek Pratt’s reconstruction of John Harrison’s H4. This part was written by Carl Murray of Frodsham. This article was first published in ‘The Horological Journal’ (HJ) in March 2015, who we thank for permission to republish on Quill & Pad.
Here we present the first part in a three-part series about the making of Derek Pratt’s H4 reconstruction. This part was written by Roger Stevenson, chief watchmaker at Frodsham. This article was first published in the ‘The Horological Journal’ (HJ) in February 2015 and we thank them for the gracious permission to republish it on Quill & Pad.
Many watches hold a special significance for their owners. The watch I am chronicling here didn’t just change someone’s life, it changed MY life: the Jean Daniel Nicolas Two-Minute Tourbillon by Daniel Roth.
I know of only three watchmakers making watches by hand today: one is Michel Boulanger for Naissance d’une Montre. The other two are Dominique Buser and Cyrano Devanthey, who are hand-making watches they call l’Instant de Vérité under the umbrella of their own micro brand Oscillon. And what a watch this is!
MB&F’s Legacy Machine Perpetual took the prize for Best Calendar Watch at the 2016 Grand Prix d’Horlogerie de Genève and I thought it deserved that accolade and more. LM Perpetual has rewritten the architecture of the perpetual calendar, transforming this oft troublesome complication into a virtual masterpiece.