To aid the fight against COVID-19, Urwerk will auction “Fight C19,” the first production piece of the UR-100 Gold Edition with a special engraving, “FIGHT C19,” instead of the regular limited edition plate displaying the limited edition number up to 25.
Many watches hold a special significance for their owners: some may be a powerful emotional reminder of an esteemed person, place or event, while others the long-searched-for keystone in a valued collection. There are watches that generate a smile just by thinking about them and a few have even changed lives. Ian Skellern shares the story of a watch that changed his life.
In Einstein’s Special Theory of Relativity, the great man introduced the concept of “spacetime: henceforth, space by itself, and time by itself, are doomed to fade away into mere shadows, and only a kind of union of the two will preserve an independent reality.” Which segues nicely into the discovery of a clock by Gustave Sandoz that doesn’t tell the time: it tells distance.
The point of the large watch fairs is (or was) the sheer scale of their visitor numbers. In no other venue can brands meet with so many clients, collectors and press, and vice versa. If a large fair is limited in visitor capacity by health restrictions, can it still dominate the launch cycles of big brands? Ian Skellern examines likely winners and losers of the brave new world of exhibitions in 2021.
In the old, pre-COVID-19 watch world, the far-too-prevalent low standard of press material supplied by brands to journalists was amply counterbalanced by the sheer number of journalists and collectors around the world supplying lots of hands-on, third-party information, opinion, and photography. Now that’s gone, so it’s time for brand marketing and communication teams to lift their games. Ian Skellern shares three easy ways how.
“Dear Mr. Babin, I’m speaking as a fan, but you are sure making it difficult. It gives me no pleasure to take shots at you like this, but if you keep standing up and saying these things, I’ll keep rebutting you,” Ian Skellern begins his second open letter on this subject . . .
Have you seen the prices of high-end (and not so high-end) wristwatches? Crazy! None of us can afford the watches that we want, and the world economy is tanking. So in the middle of the coronavirus crisis why are we still publishing pointless stories about watches and why are you still reading them? Ian Skellern shares his theory here.
The Naked Watchmaker (TNW), aka Peter Speake-Marin, does a series of deconstructions of a broad selection of modern Breguet watches and movements, starting with the Classique 5177, a relatively simple (for Breguet) three-hand dress watch with date. Here Ian shares a few details that The Naked Watchmaker didn’t reveal.
Despite feeling that Geneva Watch Days was wrong, hope, stupidity, and self-interest prevailed enough to cause Ian Skellern to hold off on canceling his accommodation in Geneva previously booked for the now-canceled Watches & Wonders 2020. He was hoping organizing brand Bulgari would cancel the event first and take the decision and uncertainty out of his hands. But it didn’t. Now’s the (well-overdue) time to say bye-bye to Geneva Watch Days 2020 in his opinion.
Ian Skellern’s feelings regarding the rapid series of announcements of watch events like the cancellation of Watches & Wonders and Baselworld as well as the full-steam-ahead project Geneva Watch Days have been equally quickly undulating: from initially being enthusiastically for, Ian ended feeling against Geneva Watch Days. Why put anyone’s health at risk, especially with perhaps little in return but a few photos and a persistent cough? But it is a tough call.