Patek Philippe 5270P Perpetual Calendar Chronograph Reviewed by Tim Mosso
by Tim Mosso
Don’t take the Patek Philippe 5270P for granted. Like Grandpa always said, things were harder in the old days. It’s easy to lose perspective in our modern era when perpetual calendars, tourbillon regulators, and split-seconds chronographs can be bought new for less than $10,000.
Complicated watches have become common and almost cheap. At the same time, mechanical watchmaking no longer occupies the vanguard of technology, and even Patek Philippe itself offers far more complicated watches than its vaunted perpetual calendar chronograph.
It wasn’t always this way. When the 1518 debuted as a series-built QP chrono in 1941, it was a wonder. First, there was a staggering notion of building such an extravagance on a continent laid low by war. Second, rival products in the segment numbered between none and zero.
While pocket watches and one-off precedents existed, the idea of a regular production perpetual calendar chronograph wristwatch must have seemed as great a milestone as Cadillac and Marmon’s series production V-16 engines of the prior decade. It was equal parts boldness and madness.
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Swiss neutrality made the wartime 1518 possible, and a small but receptive clientele kept it and its successors alive in an unbroken chain leading to the year 2011. That was the moment Patek Philippe entered the era of manufacture-caliber QP chronos with the 5270G.
Lange’s watershed moments with the Datograph in 1999 and the Datograph Perpetual in 2006 heralded the end of Patek’s longtime reliance on Valjoux and later Lemania ebauches. The initial 5270G may have been a conservative design statement, but the CH 29-535 PS Q movement inside it was a quantum leap for Patek Philippe watchmaking.
About that conservative design… Patek’s clients had thoughts. While the first 5270 was accomplished in the technical sense, it was also plain in the visual sense. A tachymeter arrived in 2013 along with the controversial “chin” that wrapped around the date at six o’clock.
The feedback loop continued through 2015 when the chin was substantially reduced by permitting the date ring to cut the chronograph seconds track. Truth be told, Patek designers struggled to capture the same visual magic in the 5270 that animated its immediate predecessor, the beloved 5970.
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But for 2018, the Sterns decided to play their ace card, and the salmon dial 5270P finally took all the chips.
Holistically the 5270P was a major break with past variants. As the first platinum 5270, it arrived somewhat earlier than expected since Patek tends to reserve this metal for final-run variants of its manual wind chronographs.
Perhaps cognizant of collectors’ halting embrace of the model, Patek product managers accelerated the release of charismatic platinum and paired it with a salmon dial and blackened dial furniture.
It did the trick. While earlier 5270s had their fans, they rarely had buzz. The 5270P was the first in its line to sport the unadulterated swagger and panache befitting a generational flagship model line from Patek Philippe.
Externally, the 5270 is like the 5970 only more so. The newer case is 1mm larger, and the stepped lugs are more pronounced. While the older chronograph was rotund and capped by a concave bezel, the newer watch has a decidedly boxed and sheer mid-case with a hard conical bezel profile.
Every 5270 has a forceful shape, but the blinding white flash and critical-mass density of platinum back the style with substance. A diamond between the lugs at six o’clock confirms this is platinum Patek royalty.
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Dial side, there’s more to the 5270P than a salmon disc, but it’s the clear star of the show. With a soft granular texture – Patek would call it “opaline” – this isn’t a blinding metallic light show like a sunburst, and it softens the impact to a gentle rose glow.
Previous 5270s employed stick index dials, but the 5270P pulls at the heart strings with a few old-fashioned Arabic numerals up top and barely-there micro indices on the lower half. Along with now tamed “chin,” this approach creates a less cluttered dial than previous efforts.
For good measure and heightened contrast, blackened white gold is used for the feuille hands and all dial appliques. It hits hard.
While endless engineering, historical, and value-driven rationales are spun, 90 percent of the reason collectors buy watches is down to the way they look on the wrist. With that duck finally broken, Patek Philippe had an optimized vessel for its first in-house perpetual calendar chronograph movement.
Despite the beloved nature of the previous Lemania-based CH 27-70, that caliber’s 27.5mm diameter was stretched to the breaking point on dials for watches 40mm or larger. The 5970 pulled its chrono-calendar registers as far as possible without resorting to the kind of visual games employed on the vastly oversized 5070.
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At 32mm fully dressed with calendar gear, the CH 29-535 movement is sized for modern watches.
Since the Datograph arrived in 1999, debate has raged over who carries the true mantle of chronograph caliber beauty, Lange or Patek. Assuming we stick to major brands, that’s a hard match to call. Lange certainly held pole position in ’99, but Patek caught up with a vengeance.
Every part of this movement is a gilded lily in its own right, but the composition of shape, size, and relative position also imparts architectural grace separate from the degree of decoration.
For example, consider the delicate steel chronograph clutch with its tapered points, chaton-style jewel settings, and the hand-in-glove junction with its anchoring bridge: beautiful.
Then there’s the showpiece of the entire caliber, a black polished and capped column wheel. Often described as a “Geneva style,” the cap on the column wheel has functional roots.
Once upon a time – that being the pocket watch era – a capped column wheel was considered a practical measure to prevent shock from launching the levers, horns, hammers, and clutch out from between the crenelated towers of the wheel.
Today, the mirror polished cap is a skill-check expected on Patek’s lateral clutch chronographs. Don’t take this grace for granted just because we’re talking about Patek Philippe; the “column wheel” in the mass-produced CH 28-520 vertical clutch chronograph is more of a cam than a column wheel, and it lacks all beauty.
At Patek Philippe, lateral clutch chronographs are considered the premium offering in the model line despite certain technical deficiencies relative to vertical ones.
There are reasons. First, a lateral clutch is beautiful, and a vertical clutch is invisible. Aside from certain Roger Dubuis calibers, I can’t think of any vertical clutches designed to be seen.
Second, lateral clutches require disciplined adjustment, and this takes time. While vertical clutch systems go together like Legos, the lateral ones require more attention.
See that tension spring on the backside of the clutch? It needs to be bent manually from time to time. Too much meshing tension of the clutch to the chronograph center wheel, and the movement will slow unacceptably. Too little tension, and the chronograph might skip or fail to drive.
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Similar logic applies to the use of a metal overcoil hairspring. All metal hairsprings require periodic manipulation to keep them concentric and in plane.
Add an overcoil, as this movement does, and you add to the watchmaker’s workload. Overcoils also require periodic manipulation to ensure their junction with the primary coils, height, and curve are optimized for muti-position timing.
Again, a silicon hairspring, though technically impressive, pops out of a computerized machine ready for installation. No manipulation is necessary, and it’s impossible in any case.
Unfortunately, Patek Philippe perpetual calendar systems are dial-side installations. Whether this type of dragging “grand lever” system or Patek’s rare instantaneous jump QP, all such mechanisms hide under dials.
From a caseback standpoint, there’s little to distinguish this Patek chrono caliber from the straight-play CH 29-535 PS in the 5172.
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Fortunately, one of the best parts of the chronograph is a caseback spectacle. Watch carefully, and the chronograph minutes jumper displays action that corresponds to the dial-side instant jumping chrono minute; it’s under the chronograph minutes bridge adjacent to the crown.
The gold springs, levers, and pawl of the jumping system build tension before releasing a burst every sixty seconds. As a mechanism, it’s one of the most intricate and engrossing sights under the caseback.
True, it’s now possible to buy a Patek Philippe wristwatch with two dials, twenty complications, and a retail price in the seven-figure range. But even in the era of the Grandmaster Chime, the historical legend of a Patek perpetual calendar chronograph packs gravitas.
The watch world has come a long way since 1941, but on the wrist, a 5270P is a time machine in more ways than one.
For more information, please visit www.patek.com/en/collection/grand-complications/5270P-014
Quick Facts: Patek Philippe 5270P Perpetual Calendar Chronograph
Reference Code: 5270P-001
Edition: 2018-2022
Case: Platinum with one diamond; 41mm diameter; 12.8mm thick; 9.6mm lug-to-lug; 21mm lug spacing; 30-meters WR; screw-in sapphire caseback
Strap: Alligator top, calf leather bottom with pull-tab spring bars
Clasp: Platinum single-fold deployant clasp with closure spring
Dial: Rose matte; day, date, month, leap year, am/pm, moonphase, chronograph subdials; blackened 18K white gold hands, indices, numerals; tachymeter scale
Movement: Caliber CH 29-535 PS Q; manual 65-hour power reserve; 4Hz; overcoil hairspring; adjusted in six positions; 33 jewels; stop seconds; lateral clutch chronograph with column wheel function selector; instant jumping minutes; 32mm in diameter, Gyromax freesprung balance
Functions: Hours, minutes, seconds, chronograph, perpetual calendar, moonphase
2024 Preowned Price: $175,000-$185,000
* Tim Mosso is the media director and watch specialist at The 1916 Company. You can check out their very comprehensive YouTube channel at www.youtube.com/@the1916company.
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