If cases get too little attention from watch collectors, GaryG feels that the straps and bracelets that turn a timepiece into a wristwatch seem to get even less. And of late, especially with the controversy surrounding the introduction of the “integrated” bracelet of A. Lange & Söhne’s new Odysseus, he has been pondering metal watch bracelets and what makes them so special.
In the Behind the Lens series, GaryG presents great watches as seen from a variety of visual perspectives while at the same time passing along a few thoughts on what it’s like to shoot these great watches. And they don’t come much greater than the Philippe Dufour Simplicity.
Oh, those Geneva auctions! While GaryG’s intention is usually to browse the rare pieces on offer, gain an education from his auction-house friends and escape unscathed, it seems that more often than not there is a piece that puts him into bidding mode. And sometimes that piece is entirely unanticipated as was the case of the Vacheron & Constantin Reference 4560 triple calendar that he stumbled across at a Sotheby’s preview. Here is why he bought it.
Cracking the seal on the box of the H. Moser & Cie Endeavour Tourbillon Concept Tiger’s Eye revealed a deep and constantly shifting play of light as the stone dial caught the afternoon light coming in through the window. Over the days that GaryG had the watch for shooting, it became his quest to capture the variety of moods conjured up by this dial. And we think he has done just that.
Wouldn’t it be splendid to have everything your heart desired? Well, it’s a nice fantasy but it’s not going to happen for GaryG. And, besides, he’s not so sure that the experience of “selling to buy” isn’t actually a significant part, albeit a bittersweet one, of the collecting experience. Find out why here.
Here, GaryG outlines in some depth why he bought a Vianney Halter Deep Space Tourbillon, providing commentary on a collector’s mindset and the motivations, delights, and possible misgivings. And, of course, there are amazing photographs.
A good friend of GaryG’s owns a cream-dialed Reference 2526, and Gary has often admired it over the years but hadn’t really understood the role that the 2526 plays in Patek Philippe’s history until talking with him and other watch pals and doing some late-night online research. Read on to learn why he bought this special “Gobbi Milano” edition from 1954 in an exciting spur of a moment.
GaryG’s first rule when it comes to collecting is to avoid setting too many exclusionary rules. With watches, he believes that it’s the passion that separates collectors from investors and accumulators. Which brings him to another rule: deriving the full enjoyment from the things you own.
It’s a bit unusual for GaryG to be writing this soon about a newly acquired piece – this one only arrived a little over a week ago – so he will reserve the right to add pluses and minuses in future articles once this watch has gotten substantial wrist time. Already, though, there are several reasons why he can say that he’s smitten with this watch. Read on to discover what he likes and whether he has any quibbles.
GaryG has already written about the struggles that independent watchmakers face simply to survive. Expressing oneself through horological art may well be a noble calling, but it’s definitely one of the tougher ways to make a living. Chanel’s very recent investment in F.P. Journe caused Gary to think about the pros and cons of outside investment into indies, and he shares his thoughts here.