If cases get too little attention from watch collectors, GaryG feels that the straps and bracelets that turn a timepiece into a wristwatch seem to get even less. And of late, especially with the controversy surrounding the introduction of the “integrated” bracelet of A. Lange & Söhne’s Odysseus, he has been pondering metal watch bracelets and what makes them so special.
Do you consider yourself a collector? For years GaryG resisted the label, however, he slowly tipped over into having, for lack of a better term, a watch collection. Here Gary shares what collecting means to him.
Can you imagine buying a watch bracelet and then searching for the right watch to pair with it? Seems a bit far fetched, but that’s exactly what a good friend of GaryG’s did a few years ago. And it led to him purchasing two beautiful 1815 Chronograph models from A. Lange & Söhne.
GaryG was sitting at his breakfast table when during his morning scan of news he saw a photo of something breathtaking. It was Logical One by Romain Gauthier – a watch he immediately knew that he would own someday. He was captivated by the white gold version with frosted gold movement: this was “the one” for him.
There are nice-looking watches, there are crisp-looking watches, and then there are watches that emanate an otherworldly glow. For GaryG the Rexhep Rexhepi/Akrivia Chronomètre Contemporain falls into the third category, so much so that it became a running joke for a friend to pantomime a “smelling salts” motion as a signal for Gary to pull up his sleeve and jolt him back to attention. Here he explains why he bought this new classic watch.
Once upon a time, there was a watch enthusiast (GaryG) who admired the work of Max Büsser and his watchmaking enterprise MB&F and who dearly wanted to own one of his watches. But which one? Well, it took years, but Gary eventually decided on the eye-catching 2021 LM101 in white gold and here he explains why.
There are some watches you fall for the moment you see them. Sometimes that initial infatuation passes and you move on to the next temporary obsession, but then there are those instances in which the more you see, talk about, and learn about a piece and its origins the more you resolve to save up to buy one. For GaryG, the Grönefeld 1941 Remontoire was one of the latter.
While GaryG thinks it’s all the more impressive that designers continue to delight us with new looks, many watches are often very similar. And trying to describe the slippery slope from vague resemblance to outright theft is not a simple task. So he begins down at the lower end of the grade with so-called homage watches and moves up the GaryG Styling Statute of Limitations from there.
If you like watches at all, you have certainly seen wristshots and perhaps you have even posted a few of your own. Like the selfie, wristshots seem to be ubiquitous these days. But where did wristshots come from, why do they exist, and what are the pitfalls to look out for? GaryG shares a few tips on what he has learned works and what doesn’t.
While GaryG while he lauds the rise to prominence of many more women among the population of online watch shooters and commentators, the emergence of boob shots with a watch hardly “empowers women” . . . or does it?