You can like everything, but you can’t buy – or keep – everything! Inevitably, the choices involved lead at times to regrets; for GaryG, along with many of his pals, the sadness is much more often about pieces they sold too soon or failed to buy rather than pieces they were sorry about buying in the first place. Here’s a story of shoulda, woulda, coulda.
From the torrent of really well done watch photos appearing on Instagram and other media these days, it appears as though lots of watch enthusiasts have been spending at least some of their time in COVID-19-induced shutdowns polishing their macro photography and wrist shooting. And GaryG is among them. Here he shares a few of the thousands of photos he has taken recently using a new-to-him flash style.
Is it possible to make a watch providing a novel and entertaining display of time that is wearable in a variety of settings and will be respected years from now? GaryG believes that he owns such a piece: the Upside Down made by independent watchmaker Ludovic Ballouard.
MrsG, GaryG’s charming wife, is perhaps most enthusiastic about her collection of Southwestern Native American arts and jewelry, but here Gary takes a look at her interesting watches, which include excellent examples from Jaeger-LeCoultre, Blancpain, Alain Silberstein, Audemars Piguet, and more.
Many of you are likely to have come across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, watch enthusiasts. Like many people, GaryG’s starting point for serious watches was with a well-priced brand long known for its expertise in developing movements, justly viewed as offering good value for money – but not necessarily for the refinement of its movement finishing, at least on its less expensive pieces. Read on to discover what he has learned since then.
The time is now, according to GaryG, for large watch brands to seize the opportunity to make a real difference to the health of the mechanical watch industry and the prosperity of their brands. He thinks that 2020 is the year for CEOs to commit to entering their best new pieces in the Grand Prix d’Horlogerie de Genève (GPHG).
One of the great advantages of belonging to the relatively close-knit community of watch collectors is having the opportunity to see and photograph a lot of great watches. Here GaryG takes on the formidable F.P. Journe Tourbillon Souverain with his mighty camera and collecting knowledge.
If cases get too little attention from watch collectors, GaryG feels that the straps and bracelets that turn a timepiece into a wristwatch seem to get even less. And of late, especially with the controversy surrounding the introduction of the “integrated” bracelet of A. Lange & Söhne’s new Odysseus, he has been pondering metal watch bracelets and what makes them so special.
Wouldn’t it be splendid to have everything your heart desired? Well, it’s a nice fantasy but it’s not going to happen for GaryG. And besides, he’s not so sure that the experience of “selling to buy” isn’t actually a significant part, albeit a bittersweet one, of the collecting experience. Find out why here.
Now, it seems fairly evident that we are on the down slope of either a cyclical correction in prices or, if one takes a less optimistic view, a permanent loss of watch value as the mechanical timepiece industry faces a variety of challenges and potential disruptions. So what’s a collector to do? And what lessons can we draw, both from watch auction results and the history of other luxury categories, to guide us?