GaryG was sitting at his breakfast table on the morning of January 18, 2013 when during his morning scan of news he saw a photo of something breathtaking. It was Logical One by Romain Gauthier – a watch he immediately knew that he would own someday. He was captivated by the white gold version with frosted gold movement: this was “the one” for him.
As these things go, Parmigiani Fleurier and GaryG go back a pretty long way. So it was with significant interest that he took up the opportunity to handle, photograph, and evaluate Parmigiani’s latest introduction, the Tondagraph GT. It’s a relatively rare combination of two useful complications in what the brand calls “all-occasion” packaging, and it is offered at a quite reasonable price relative to other pieces of its kind.
In GaryG’s view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless set him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order as typified by the Haldimann H1 Flying Central Tourbillon.
GaryG bought a Vianney Halter Deep Space Tourbillon and hopes that you will find his commentary on a collector’s mindset and the motivations, delights, and possible misgivings interesting and helpful. And of course there are the amazing photographs that only GaryG takes.
One of the inconveniences associated with the current restrictions on gatherings is that GaryG’s local watch gang hasn’t met in person so he hasn’t been able to borrow interesting watches to shoot. However, just prior to the lockdown in California, he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter. Check it out in every great photographic variation here.
A good friend of GaryG’s owns a cream-dialed Reference 2526, and Gary has often admired it over the years, but hadn’t really understood the role that the 2526 plays in Patek Philippe’s history until talking with him and other watch pals and doing some late-night online research. Read on to learn why he bought this special “Gobbi Milano” edition from 1954 in an exciting spur of a moment.
You can like everything, but you can’t buy – or keep – everything! Inevitably, the choices involved lead at times to regrets; for GaryG, along with many of his pals, the sadness is much more often about pieces they sold too soon or failed to buy rather than pieces they were sorry about buying in the first place. Here’s a story of shoulda, woulda, coulda.
From the torrent of really well done watch photos appearing on Instagram and other media these days, it appears as though lots of watch enthusiasts have been spending at least some of their time in COVID-19-induced shutdowns polishing their macro photography and wrist shooting. And GaryG is among them. Here he shares a few of the thousands of photos he has taken recently using a new-to-him flash style.
Is it possible to make a watch providing a novel and entertaining display of time that is wearable in a variety of settings and will be respected years from now? GaryG believes that he owns such a piece: the Upside Down made by independent watchmaker Ludovic Ballouard.
MrsG, GaryG’s charming wife, is perhaps most enthusiastic about her collection of Southwestern Native American arts and jewelry, but here Gary takes a look at her interesting watches, which include excellent examples from Jaeger-LeCoultre, Blancpain, Alain Silberstein, Audemars Piguet, and more.