A good friend of mine owns a cream-dialed Reference 2526, and I’d often admired it over the years but hadn’t really understood the role that the 2526 plays in Patek Philippe’s history until talking with him and other watch pals and doing some late-night online research. Read on to learn why I bought this special “Gobbi Milano” edition from 1954 on an exciting spur of a moment.
Over the twenty-odd years he’s been buying “serious” watches, GaryG has purchased more pieces bearing the Jaeger-LeCoultre brand name than any other, by far. Within the Jaeger-LeCoultre pantheon, one watch sub-group stands out for him: the Reverso. Between his wife and he, they’ve bought a total of seven Reverso models. Given that, why add another? In this instance, the Reverso Tribute to 1931?
When collectors gather anywhere and talk about their collections, recent purchases, and executed or potential sales, there’s a term that comes up more often than not: “getting hurt.” Here GaryG provides a master class in how not to get hurt in the world of watch collecting.
During a visit to the Big Apple, GaryG had the chance to meet Analog/Shift’s founder, James Lamdin, and was pleased to sit down with him for a talk and borrow a couple of watches to take home and photograph.
One of the high points of my visits to Baselworld each of the past few years has been the opportunity to tour the display of new introductions from Patek Philippe. Concluding our visit in March 2017, our host asked each of us to name our favorite new Patek Philippe piece, and for me the answer was obvious: the stunning Reference 5170P that had me standing slack-jawed in front of its display case long after the rest of the group had moved on to the other new pieces. Here’s why . . .
On the weekend of November 11, 2017, it was once again time for Only Watch, the charity auction to fund muscular dystrophy research conducted under the sponsorship of His Serene Highness Albert II of Monaco. And, as in 2015, I was fortunate to be invited to join the Stern family and Patek Philippe team for the events of the weekend.
Unless you’ve been living under a rock for the past several months, you are well aware that on October 26, 2017 Phillips conducted an auction in New York City at which the Paul Newman Rolex Daytona owned by Mr. Newman himself was sold for more than $17.5 million, a record price for a wristwatch of any kind. I was fortunate to attend the auction and its attendant events: there was much more to see and some lessons to take away, about both the current state of the vintage market and bidding at auction.
One of the great pleasures of being a contributor here at Quill & Pad is that it gives me an excuse to set aside other priorities on a regular basis and immerse myself in the world of macro watch photography. Along the way, I’ve been asked by a number of folks to reveal techniques that I use to create the images you see in my articles, so here are some of my tips.
The last time I wrote here on Quill & Pad about my relationship with the world’s greatest mass luxury brand was last year when I explained ‘Why I’ve Never Owned a Rolex – And Why I Might Yet.’ Well, to know me is to know that if I say I “might yet” buy something it’s likely only a matter of time. So, too, with this Rolex: the GMT Master II BLNR “Batman” with black-and-blue bezel.
The date: January 13, 2012. The place: Glashütte, Germany, where one of my best friends had arranged for the two of us to visit A. Lange & Söhne. The vision: my friend extended his arm from the sleeve of his shirt, and what I saw left me reeling – my first view of the Lange Datograph Perpetual in white gold. I was confident from that very moment that this was a watch for me, but pursuit of the piece took four long years.