Entries by Ian Skellern

The Urwerk UR-110 Eastwood: A Tailor-Made Farewell Of Timber And Tweed

The fact is that Urwerk is a small brand, albeit an extremely imaginative and talented small brand, with very limited resources available. That means that if Urwerk wants to use resources to develop and produce a new model, it first has to stop producing one of the older models. So unfortunately it’s soon to be bye-bye to the UR-110. But fortunately it’s hello to the final UR-110 model: the “Eastwood”!

Roundup of SalonQP 2014: London’s Premier Watch Exhibition

SalonQP, London’s premier watch exhibition, ran from the 6th through the 8th of November 2014 at the prestigious Saatchi Art Gallery in central London. It was bigger and better than ever in terms of both size and visitor numbers.

Read on for more than just a few reasons (and lots of photos) why SalonQP is my favorite watch exhibition.

Heartbeat: Horological Machine No. 6 By MB&F

I am a big fan of MB&F’s crazy Horological Machines and think that they make world of watchmaking much, much richer. Despite that, I have had a hard time imagining one on my own average-sized, conservative wrist. Whereas previous Horological Machines have been high-tech, miniaturized machines, the curved case and eye-like domes make HM6 feel organic and corporeal. . . a nice, friendly and (despite the titanium case) soft animal begging to be touched.

Aiguille d’Or: Round Table Discussion Of The Grand Prix d’Horlogerie de Genève 2014

Now we get to the real nitty-gritty at the Grand Prix d’Horlogerie de Genève.: the Aiguille d’Or. There are no ifs, and or buts any more, just a decision on which of the 72 pre-selected watches is the best overall timepiece of the year. It is the most prestigious of the awards given.
Which could be our panel’s favorite to win? The Margot by Christophe Claret? Urwerk EMC? Perhaps the De Bethune DB29 Maxichrono Tourbillon? Or will it be something else entirely?

Petite Aiguille Pre-Selected Watches: Round Table Discussion Of The Grand Prix d’Horlogerie de Genève 2014

The Petite Aiguille category is for watches under 8,000 Swiss francs (approx $8,500). The contenders are Bell & Ross BR03-92 Ceramic Black Matte, Chopard Grand Prix de Monaco Historique Chrono, Montblanc Meisterstück Heritage Moonphase, Seiko Grand Seiko Hi-Beat 36,000 GMT, TAG Heuer Carrera Calibre 1887 Chronographe “Racing,” and the Zenith El Primero Synopsis.

Sports Pre-Selected Watches: Round Table Discussion Of The Grand Prix d’Horlogerie de Genève 2014

The Sports watch category has always been one of the most hotly contested prizes because these are the watches that many people actually wear. Our pre-selected contenders in the Sports category this year are: the Bell & Ross BR126 Vintage Sport Heritage GMT Flyback, Blancpain’s Fifty Fathoms Bathyscaphe Chronographe Flyback, the Aerofusion Chronograph Pelé by Hublot, Tissot’s T-Touch Expert Solar, the Tudor Heritage Ranger, and the El Primero Lightweight by Zenith.

Artistic Crafts Pre-Selected Watches: Round Table Discussion Of The Grand Prix d’Horlogerie de Genève 2014

Contendors in the Artistic Crafts category of the Grand Prix d’Horlogerie de Genève are: Chanel’s Coromandel Twin Volute Enchantée, Precious Watch Attrape-Moi… Si Tu M’aimes by Chaumet, Greubel Forsey’s Art Piece 1, Arceau Millefiori by Hermès, Jaquet Droz’s Petite Heure Minute Relief Saisons and Hisui by Kari Voutilainen. Which of these exceptional works of art would you choose in this category if you were on the jury?

Jewellery Pre-Selected Watches: Round Table Discussion Of The Grand Prix d’Horlogerie de Genève 2014

According to the GPHG’s rules, these are watches demonstrating exceptional mastery of the art of jewelry and gemsetting, which is also distinguished by the choice of stones. The contendors are: Bulgari’s Diva High Jewellery Emeralds, Lion Mosaique by Chanel, Green Carpet Collection Watch by Chopard, Graff’s Multi-Colored Butterfly watch, the Ultimate Emerald Signature by Harry Winston and Arceau Temari by Hermès.

Ode To Three-Quarter Plate Movements: A Poem

In a recent article about the Glashütte Original PanoMaticInverse, author Joshua Munchow introduced the PanoMaticInverse’s distinctive three-quarter movement plate with a poem. We thought it was quite a good poem, and we think it deserves its own post. Why the three-quarter plate? In simple terms, three-quarter and full movement plates are the only way to absolutely know that everything is held perfectly in place with no possible chance of shifting or alignment issues.