If GaryG wants to buy a watch of any significance it requires that he sells one or more other pieces. The bad news is that all of the watches he doesn’t really love were sold off a long time ago! As a result, the discipline of asking “What watch in his current collection do I love less than this potential new purchase?” has become tougher and tougher. Here he shares three watches that he feels are long term-keepers and why.
Let’s be honest: nobody needs a high-end mechanical watch. That we want one is based on the different levels of how a particular watch appeals to our emotions. And in the heat of passion, we sometimes tend to forget that, as in any normal industry, companies sometimes cease to exist for a panoply of reasons. What should you consider if you would still like to own a watch made by a now-defunct brand? Martin Green has some answers.
We’ve all got our “fishing” stories regarding “the one that got away.” John Keil’s involves an Audemars Piguet that arguably started the Limited Edition Offshore craze and starred in a movie to boot: the Royal Oak Offshore T3.
Wouldn’t it be splendid to have everything your heart desired? Well, it’s a nice fantasy but it’s not going to happen for GaryG. And, besides, he’s not so sure that the experience of “selling to buy” isn’t actually a significant part, albeit a bittersweet one, of the collecting experience. Find out why here.
Łukasz Doskocz bought a Tudor Pelagos because it is a superior tool watch; it is “form follows function” at its best, with every single bit of the watch designed for a practical and useful reason. But he loves and bought it for more than just that.
After reading article after article discussing the virtues of Patek Philippe’s Nautilus, it became clear to watch enthusiast and Quill & Pad reader Perry Heim that none stated a self-evident truth that appears obvious to him. In this “letter to the editor” Perry explains in detail what he finds so appealing about the Patek Philippe Nautilus Reference 5711. And he stacks the Nautilus up against some serious contemporary contenders.
A very special new exhibition opens this week at London’s Design Museum: the OAK Collection (“OAK” stands for “one of a kind”). This exhibition comprises unique and ultra-rare museum-quality timepieces that have been amassed by a single collector over the last 40 years, including the largest number of Patek Philippe timepieces once owned by Henry Graves, Jr. But that is not all.
The “unobtanium” phenomenon isn’t limited to watches from the past, there are a variety of references for which supply seems to lag demand. Nowhere is this more apparent than in the current market for select steel sports watches. Here GaryG highlights some interesting dynamics caused by that imbalance, led by a loud chorus of complaints from prospective buyers.
After years of thinking that a Nautilus wasn’t for him, in 2018 the Patek Philippe Reference 5740 was introduced and GaryG immediately asked for one. That started a four-year wait during which his gentle nudges were met by polite head shakes. And then . . .
After obtaining a Delta Dolce Vita Oversized at the conclusion of his Italian period, Martin Green was a very happy man. The pen served him very well, and he was in love with the looks as well as the writing experience. And while Martin wasn’t looking for a replacement pen, it happened anyway . . . with some very famous brands. Read the third part of his writing instrument odyssey here.