Ferrari had already teamed up with quite a few different watch brands to feature the Prancing Horse logo on the wrist: Cartier, Girard-Perregaux, and Panerai are forces to be reckoned with, yet it was Hublot who enjoyed the greatest success in partnering with the famed car brand from Maranello. And Martin Green thinks that this might be the most successful car/watch partnership that the industry has seen so far. What do you think?
The saying “history repeats itself” is often associated with unfavorable occurrences. But this is definitely not the case with A. Lange & Söhne and December 7, a date that has marked milestones for the brand three times now. Sabine Zwettler explores the significance of the founding day of Glashütte’s finest manufactory.
A. Lange & Söhne launches the Zeitwerk Lumen in a limited edition Honeygold case on October 24, 2021. The brand’s own special gold alloy adds fresh appeal to one of its technically most complex pieces. But there is much more to this launch rooted in history as Sabine Zwettler notes.
As Martin Green became ever more impressed by the performance of the Valjoux 7750 chronograph movement, he also found himself enamored by its little quirks and the variety of watches it has been tapped to power. Here Martin outlines the history of this classic automatic chronograph movement.
Gérald Genta’s claim to eternal horological fame is closely connected to the rise of high-end stainless steel watches: he designed both the Audemars Piguet Royal Oak (1972) and the Patek Philippe Nautilus (1976). While those two watches alone are enough to make Genta a legend, he did much, much more than that as Martin Green shares here.
Watch- and clockmaking has a long history in Germany, as evidenced by the fifteenth- and sixteenth-century timepieces from the Nuremberg/Augsburg area and the academic discussions of Peter Henlein, who is said to have made the world’s first pocket watch around 1505. But the country’s roots in great watchmaking do not stop there: Elizabeth Doerr takes us on an historical journey of Glashütte, the birthplace of modern Germany’s fine watches.
I clearly remember watching the history-altering events on television on November 9, 1989: the day that the Berlin Wall came tumbling down. Since then, watchmaking in Germany, just like the country as a whole, has undergone a lot of change, including the rebirth of Glashütte’s horological industry.
October 1, 2021, marks 20 years since Günter Blümlein passed away at the age of just 58. His untimely death meant that A. Lange & Söhne lost its visionary co-founder, and the watch world lost a charismatic businessman and strategist who was a crucial factor in driving the mechanical renaissance of watchmaking in the late twentieth century. His legacy was – and remains – the three so-called LMH brands, a “supergroup” that went on to form the nucleus of Richemont’s high-level manufacturing capabilities at the turn of the millennium.
You may have heard of a few or more of the following historical people and events: Thomas Mudge, George Graham, John Harrison, the Longitude Prize, Captain James Cook, and the mutiny on the ‘HMS Bounty.’ However, you are less likely to have heard the name of a horologist who played a pivotal role in all of the above: Larcum Kendall (1719–1790). Come with me on a worldwide adventure involving timekeeping and history.
The “great lockdown of 2020” gifted us with something outstanding: from the depths of an anxiety-inducing existence arose an online exhibition called “The Persistence of Memory,” which can be described as an !online museum” honoring some of the most influential and important independent watchmakers of the modern era. Here Elizabeth Doerr speaks with its creator Michael Tay for an inside view on what this “exhibition” surveying 50 years of independent watchmaking is. And what it isn’t.