Breguet Classique 5177 Deconstruction: What The Naked Watchmaker Didn’t Reveal
by Ian Skellern
As with most things in my life, I came to Breguet late. My horological interest was the independents; the large brands were really a sideshow for me.
But when my wife, who until then had expressed little interest in haute horlogerie, decided that she would like a nice watch, it became quickly apparent that the decision wasn’t about which brand, but which Breguet.
That that was an eyeopener about the power of the name.
And if you are curious, she ended up choosing a Breguet Marine.
Abraham-Louis Breguet (1747-1823) is considered the greatest and most influential watchmaker in history thanks to his horological inventions and innovations, many of which the industry still cherishes and produces in large quantities today – including the tourbillon, repeater gongs, automatic winding, balance shock protection, balance spring overcoil, and sympathetic clocks (okay, the latter perhaps not in any sort of quantity).
But what really made Abraham-Louis Breguet’s reputation was that his technical genius was complemented by an excellent sense of design plus superb management and marketing skills.
While born in Neuchâtel, Switzerland, Abraham-Louis Breguet worked and created most of his watches and clocks in Paris. He went to Switzerland briefly in 1793 at the start of the French revolution, returning to Paris two years later when the politics had stabilized.
The Naked Watchmaker (TNW), aka Peter Speake-Marin, has recently began a series of deconstructions of a broad selection of modern Breguet watches and movements, starting with the Classique 5177, a relatively simple (for Breguet) three-hand dress watch with date.
While I very much appreciate and learn from the deconstructions on The Naked Watchmaker, I wanted to find out a bit more. So here are a few things that The Naked Watchmaker didn’t tell us about the Breguet Classique 5177 that you might find as interesting as I did (use of Speake-Marin’s excellent photographs with permission).
Breguet Classique 5177: essentials
While the Classique 5177 is a relatively uncomplicated wristwatch – as a dress watch should be – it’s worth highlighting that it is often the apparently simplest things that require the most attention as there is little to hide or distract from any perceived flaws.
The basics include the display of hours, minutes, (hacking) central seconds and a date window, a hand-guilloche 18-karat gold dial, tempered steel pomme-shaped hands (generally known to enthusiasts as “Breguet hands”), a three-piece clip case, and a coin edge case band. It is powered by automatic Caliber 777Q with a free-sprung silicon balance spring and a hand-guilloche solid gold rotor.
Breguet Classique 5177: hand guilloche
While the modern Breguet is known for many different styles, techniques, and finishing, one stands out above all others: guilloche dials.
Guilloche is a decorative technique dating back to the sixteenth century comprising decorating an object with finely engraved lines. At the beginning, guilloche was mainly used to embellish relatively soft organic materials including ivory, soft stone, wood, horn, and even coconut shells.
Around 1786, Abraham-Louis Breguet started using guilloche to decorate his dials and watch cases, and from that time onward the popularity of the finish steadily grew and evolved with more intricate patterns on more complex surfaces.
My introduction to high-level hand-guilloche began inauspiciously more than a decade ago with a visit to an atelier on the ground floor of a residential apartment block in Geneva. I had gone to visit the guilloche workshop of a certain Mr. Tille, a master of the art, who Daniel Roth had entrusted to guilloche the quite complex dial of one of his Jean Daniel Nicolas Two-Minute Tourbillons that a friend of mined had commissioned. I wanted to see how it was done. (For more on that watch, see The Watch That Changed My Life: The Jean Daniel Nicolas Two-Minute Tourbillon By Daniel Roth.)
On arrival, I thought that I must surely have the wrong address. After knocking on a few doors, I found Tille in his office surrounded by old motorbikes and even older machines, none of which seemed to have the slightest connection to guilloche.
However, when I expressed to Tille my surprise at the lack of the large machinery I was expecting, he smiled and beckoned me to a closed door in his office, which opened to reveal a surprisingly large room filled with many guilloche machines. The noise of them working and the smell of oil told me for the first time I was in the right place.
The reason for the lack of machinery in Tille’s office was that he had retired. The workshop was now being managed by his son Daniel, and the rose engines (for circular and curved patterns) and straight-line machines were busy engraving special dials for the biggest names in the business.
I followed the process for setting up and engraving the dial of the Two-Minute Tourbillon I had come for and left a little bit wiser. Roth had spoken very highly of Tille’s guilloche, and I now had a better understanding of what was involved.
A few years later I learned that Tille’s Geneva atelier had closed down. The reason: in 1999, Swatch Group chairman Nicolas G. Hayek had bought Breguet and planned to make it the crowning glory of the group. And guilloche was a significant part of his plans.
He made an offer to Daniel Tille to move from Geneva up to the Vallée de Joux with his staff and machinery to teach Breguet and bring the art of handcrafted guilloche in-house.
The story I heard was that it was supposed to be a three-year project, but now more than ten years later Daniel Tille is still at Breguet. And, not surprisingly, Breguet is once again making superb handcrafted guilloche.
And not just the art of guilloche itself: Breguet also makes its own guilloche machines, often based on very old examples that the brand finds, restores, and modernizes.
Breguet takes guilloche very seriously.
And then there’s the Breguet secret signature that is all but invisible to the naked eye.
Which is all a long way of saying, please take a good look at the relatively simple, unadorned guilloche dial of the Classique 5177 and appreciate how much work went into this one component.
Breguet Classique 5177: hacking seconds
“Hacking” is a horological term that denotes the ability to stop the second hand while the crown is pulled out to more precisely set the time. Hacking is usually achieved by stopping the balance wheel from oscillating by applying some type of break. Because hacking mechanisms are usually out of sight under movement plates and bridges, the majority of hacking mechanisms are simply a single flat piece of stamped-out metal.
The hacking mechanism of Breguet Caliber 777Q, on the other hand, is comprised of six different machined components, all of which are all nicely hand finished.
The “golf club” balance wheel brake is worth highlighting here: a lot of work has gone into this small mechanism that few will ever see. The hacking mechanism wasn’t made to this level to show off, as it can’t be seen. It was done well because the basic approach appears to favor horological quality over cost-cutting.
While at $28,700 the Classique 5177 is by no means bargain basement, the attention to detail reflects a level of thought, care, and execution usually reserved for much more expensive timepieces. And perhaps even more importantly, the movement, like the solid gold (rather than silver) dial with invisible secret signature as well as the hand-guilloche gold rotor, are all consistent with Abraham-Louis Breguet’s approach more than 200 years ago to creating innovative, high-quality watches.
On The Naked Watchmaker, Speake-Marin goes into much more detail with an absolute plethora of macro photos of all major and minor components of both case and movement in his Breguet Classique 5177 deconstruction.
For more information, please visit www.thenakedwatchmaker.com/decon-breguet-classique-5177 and/or www.breguet.com/en/timepieces/classique/5177.
This story was first posted on January 1, 2019 at Breuget Classique 5177 Deconstruction: What The Naked Watchmaker Didn’t Reveal.
Quick Facts Breguet Classique 5177
Case: 18-karat yellow gold, 38 x 8.8 mm, sapphire crystal case back
Movement: automatic Caliber 777Q, silicon free-sprung balance spring, 55-hour power reserve, 4 Hz/28,800 vph frequency, 243 components, Swiss straight-line lever escapement
Functions: hours, minutes, hacking seconds; date
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