If you want to love Rolex, but you love mechanical movements more than you love watch brands themselves, rejoice: Tim Mosso thinks that we are living in the halcyon days of Rolex movement innovation and shares a few well-illustrated technical and movement highlights right here.
The framed aventurine central dial of this bespoke Sartory Billard SB05 has a depth that allows us to easily imagine we are looking through a maze of galaxies toward the far edges of the universe. And framing that is a ring of meteorite, a true space material. What else makes this watch so unique?
It’s already time for the latest update in GaryG`s series of articles providing a completely subjective, unscientific, and unofficial history of watch photographs online. The big trend he has recently seen is the emergence of storytelling as a dominant theme in how watches are displayed. And while he lauds the rise to prominence of many more women among the population of online watch shooters and commentators, the emergence of boob shots with a watch hardly “empowers women” . . . or does it?
A brand’s progress is often seen in how their watches evolve. Armin Strom, which had the delicate task of reinventing the ‘One Week,’ the watch with their very first full manufacture movement.
The Angelus U41 Orange has an aesthetic that is more Richard Mille than Das Boot. At a launch price of $34,100, the notion of a tourbillon that can be enjoyed without care is compelling, and Angelus leans into it.
The Slim d’Hermès Squelette Lune is a prime example of contemporary skeletonization as the bridges offer an elegant appeal with their almost organically flowing lines and subtle decorations. Martin Green tells us what else he likes (and maybe doesn’t) about this watch.
One of the best things about dealing with independent watchmakers is the ability to request unique touches on your watch. That’s just what happened after GaryG’s new friend first saw Kari Voutilainen’s Sport28, a titanium-encased watch that itself is quite rare with only eight examples made in total.
Having worked with both Bovet and Philippe Dufour, Hervé Schlüchter was able to become a master at the more traditional horology aesthetic since neither could be confused with a brand focusing on modern design. The caliber HS-01 is a smorgasbord of classical elements all finished to perfection to highlight the skills of the watchmaker.
The secret of the Parmigiani GMT Rattrapante, which does not look to have either GMT or rattrapante functionality, is the advance button on the lug. It moves the white gold hour hand forward one hour per push, revealing a pink gold home time hour hand underneath. And how practical this is for travel!
If there were a watch enthusiasts’ encyclopedia, under “embarrassment of riches” the image might just be a side-by-side shot two of contemporary watchmaking’s great complicated pieces: the “mighty” A. Lange & Söhne Double Split and Patek Philippe’s Reference 5370P split-second chronograph. In this article, GaryG compares and contrasts them to come out with a winner.