One of the big introductions of 2015 in the collector’s world was A. Lange & Söhne’s Zeitwerk Minute Repeater: a watch that both shows and chimes off the time using a “decimal” format of hours, tens of minutes, and minutes rather than the more traditional hours, quarters (15 minutes), and minutes. But the first decimal repeating wristwatch to reach the market wasn’t the Zeitwerk Minute Repeater. It was by independent watchmaker Kari Voutilainen.
Now, it seems fairly evident that we are on the down slope of either a cyclical correction in prices or, if one takes a less optimistic view, a permanent loss of watch value as the mechanical timepiece industry faces a variety of challenges and potential disruptions. So what’s a collector to do? And what lessons can we draw, both from recent watch auction results and the history of other luxury categories, to guide us?
It’s no secret: I’m an immense admirer of Philippe Dufour. Part of greatness, of course, is leaving a legacy; not only through one’s works, but in the skills and inspiration passed on to those who follow, which Dufour has liberally done. But who, if anyone, will history regard as the lineal heir to the Dufour tradition? I’ve reached what may seem a counterintuitive conclusion: Romain Gauthier.
Only Watch, the biennial charity auction on behalf of Duchenne Muscular Dystrophy research, has firmly established itself as a landmark event on the watch scene. This year’s sixth renewal of the event, serving as the kickoff for the autumn Geneva watch auction week, saw Patek Philippe donating the landmark piece for the event, a blue-dialed, steel-cased Reference 5016A-010, which hammered for more than $7 million.
By now, pretty much everyone who follows horological news has heard about and likely seen images of the Harry Winston Opus 14. Much of the hard data – the 1066 component parts, four separate stacked dials including three interchangeable ones, the formidable 54.7 mm diameter – is already well known. But how does this immensely complicated watch “stack up” after a bit of reflection?
The Harry Winston Opus 14 was introduced at a celebrity-studded event in Baden-Baden, Germany. The real star of the event for watch enthusiasts in attendance, of course, was the watch itself: the new Opus 14 with a second hidden time zone designed by Franck Orny and Johnny Girardin, the same movement geniuses behind the Montblanc Metamorphosis. Watch Marc Hayek demonstrate the Opus 14’s big trick: revealing and hiding the second time zone and displaying a “Route 66” style American star.
For this special article, I have the pleasure of covering the wonderful Grönefeld One Hertz! For a watch fanatic, and especially for lovers of independent watch brands, it’s a dream come true to meet the makers of the watches that we admire. With the Grönefeld brothers, it’s that pleasure multiplied by two.
I had the privilege of being invited to the recent pre-opening gala for the San Francisco exhibition of the works of Abraham-Louis Breguet.
Since the foundation of my collecting passion has a lot to do with gaining access to the behind the scenes world of watches, I made a point of shuffling my “day job” schedule to attend. And now you can come along.
In my view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless sets him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order, as typified by the Haldimann H1 Flying Central Tourbillon.
When someone says “I’m no prude,” it is pretty easy to imagine what typically comes next: a prudish commentary on some aspect of modern society or youth culture. I like sex. There we go! To the point and leaves no doubt as to intent, I’d say. That said, I typically try to keep my interests in sex and watches somewhat distinct. But does the industry at large?