As these things go, Parmigiani Fleurier and GaryG go back a pretty long way. So it was with significant interest that he took up the opportunity to handle, photograph, and evaluate Parmigiani’s latest introduction, the Tondagraph GT. It’s a relatively rare combination of two useful complications in what the brand calls “all-occasion” packaging, and it is offered at a quite reasonable price relative to other pieces of its kind.
In GaryG’s view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless set him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order as typified by the Haldimann H1 Flying Central Tourbillon.
One of the inconveniences associated with the current restrictions on gatherings is that GaryG’s local watch gang hasn’t met in person so he hasn’t been able to borrow interesting watches to shoot. However, just prior to the lockdown in California, he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter. Check it out in every great photographic variation here.
From the torrent of really well done watch photos appearing on Instagram and other media these days, it appears as though lots of watch enthusiasts have been spending at least some of their time in COVID-19-induced shutdowns polishing their macro photography and wrist shooting. And GaryG is among them. Here he shares a few of the thousands of photos he has taken recently using a new-to-him flash style.
One of the great advantages of belonging to the relatively close-knit community of watch collectors is having the opportunity to see and photograph a lot of great watches. Here GaryG takes on the formidable F.P. Journe Tourbillon Souverain with his mighty camera and collecting knowledge.
In the Behind the Lens series, GaryG presents great watches as seen from a variety of visual perspectives while at the same time passing along a few thoughts on what it’s like to shoot these great watches. And they don’t come much greater than the Philippe Dufour Simplicity.
It’s no secret that GaryG is a big fan of Vianney Halter and his work. He strongly believes that one of the defining moments of his development as a watch collector was taking the plunge and buying one of Halter’s landmark Antiquas in pink gold. But how do two of these rare watches look side by side under the unforgiving lens of GaryG’s camera? Find out here!
A friend of GaryG’s recently purchased a real object of desire: a unique piece Classic from Vianney Halter that includes a date indication. When asked about his motivation in adding this to his collection, his friend told him, “I’m interested in what history will determine to be the ‘greatest’ watchmakers of our time.”
GaryG ordered a Hasselblad X1D. He had never shot a medium-format camera before, and the resolving power, color rendering, and ability to seemingly wrap light around a subject completely blew him away. So when Hasselblad announced that it would be offering a 120 mm macro lens for the X1D, he was among the very first to sign up. But did it make a difference in his watch photography?
For those of you who are regular readers of GaryG’s “Behind the Lens” series, it’s no secret that he and his watch pals are big fans of independent watchmaking. Here Gary points his lens up close to a rare McGonigle Tuscar One Of Ten.